Louise Nevelson, ‘Sun-Set’, 1981, Freeman's

Signature: Incised with the artist's signature, title and date, numbered 104/125 on publisher's metal plate verso (there were also 25 artist's proofs)

Publisher: Pace Editions, Inc., New York

The Art Sales Gallery at The Philadelphia Museum of Art, Philadelphia, Pennsylvania.
Private Collection, Philadelphia, Pennsylvania (acquired directly from the above in 1987).

About Louise Nevelson

Louise Nevelson’s room-sized wood sculptures have been hailed as emblematic of many different movements, including Abstract Expressionism, Cubism, and Surrealism. Monochromatic and usually black, with isolated departures into white and gold, Nevelson assembled the sculptures using discarded pieces of wood that she received or found on the street. As part of Nevelson’s massive, commanding works of art, the scrap wood takes on majestic proportions, reflecting the artist’s personal story of dislocation and self-invention. In Mrs. N’s Palace (1964-1977), a 20-foot-wide tomb-like sculpture with a hollow interior, mirrored floor, and artifacts from her life, Nevelson provides a glimpse into her own physical and personal history.

American, 1899-1988, Kiev, Ukraine, based in New York, New York