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Louise Nevelson

Symphony Three, 1974

Polyester resin sculpture relief
18 3/8 × 18 × 2 in
46.7 × 45.7 × 5.1 cm
Edition 62/125
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
About the work
D
Doyle

with incised signature and numbered 62/125 on a metal plaque affixed to the reverse, published by …

Read more

with incised signature and numbered 62/125 on a metal plaque affixed to the reverse, published by Pace Editions, Inc., New York.

18.375 x 18 x 2 inches; 467 x 457 x 51 mm.

Condition: Some rubbing and soiling, a few small areas of white paint and minor wear verso (mainly at edges), an abraded area above where D-ring …

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Medium
Other
Louise Nevelson
American, 1899–1988
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Louise Nevelson’s room-sized wood sculptures have been hailed as emblematic of many different movements, including Abstract Expressionism, Cubism, and Surrealism. Monochromatic and usually black, with isolated departures into white and gold, Nevelson assembled the sculptures using discarded pieces of wood that she received or found on the street. As part of Nevelson’s massive, commanding works of art, the scrap wood takes on majestic proportions, reflecting the artist’s personal story of dislocation and self-invention. In Mrs. N’s Palace (1964-1977), a 20-foot-wide tomb-like sculpture with a hollow interior, mirrored floor, and artifacts from her life, Nevelson provides a glimpse into her own physical and personal history.

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About the work
D
Doyle

with incised signature and numbered 62/125 on a metal plaque affixed to the reverse, published by …

Read more

with incised signature and numbered 62/125 on a metal plaque affixed to the reverse, published by Pace Editions, Inc., New York.

18.375 x 18 x 2 inches; 467 x 457 x 51 mm.

Condition: Some rubbing and soiling, a few small areas of white paint and minor wear verso (mainly at edges), an abraded area above where D-ring …

Read more
Medium
Other
Louise Nevelson
American, 1899–1988
Follow

Louise Nevelson’s room-sized wood sculptures have been hailed as emblematic of many different movements, including Abstract Expressionism, Cubism, and Surrealism. Monochromatic and usually black, with isolated departures into white and gold, Nevelson assembled the sculptures using discarded pieces of wood that she received or found on the street. As part of Nevelson’s massive, commanding works of art, the scrap wood takes on majestic proportions, reflecting the artist’s personal story of dislocation and self-invention. In Mrs. N’s Palace (1964-1977), a 20-foot-wide tomb-like sculpture with a hollow interior, mirrored floor, and artifacts from her life, Nevelson provides a glimpse into her own physical and personal history.

Louise Nevelson

Symphony Three, 1974

Polyester resin sculpture relief
18 3/8 × 18 × 2 in
46.7 × 45.7 × 5.1 cm
Edition 62/125
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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