Louise Nevelson, ‘Untitled (T-795), Untitled (T-801) (Two Works)’, 1963, Rago
Louise Nevelson, ‘Untitled (T-795), Untitled (T-801) (Two Works)’, 1963, Rago
Louise Nevelson, ‘Untitled (T-795), Untitled (T-801) (Two Works)’, 1963, Rago

"Untitled (T-795)," 1963 and "Untitled (T-801)," 1963; Two lithographs, one in colors (framed separately).
Printer: Tamarind Lithography Workshop, Los Angeles

Larger: 32.25 x 23" (sheet)

Signature: Both signed and inscribed Bon á Tirer, one inscribed Printer's Proof.

About Louise Nevelson

Louise Nevelson’s room-sized wood sculptures have been hailed as emblematic of many different movements, including Abstract Expressionism, Cubism, and Surrealism. Monochromatic and usually black, with isolated departures into white and gold, Nevelson assembled the sculptures using discarded pieces of wood that she received or found on the street. As part of Nevelson’s massive, commanding works of art, the scrap wood takes on majestic proportions, reflecting the artist’s personal story of dislocation and self-invention. In Mrs. N’s Palace (1964-1977), a 20-foot-wide tomb-like sculpture with a hollow interior, mirrored floor, and artifacts from her life, Nevelson provides a glimpse into her own physical and personal history.

American, 1899-1988, Kiev, Ukraine, based in New York, New York

Solo Shows

New York,
Louise Nevelson: Black & White
114 45 Stockholm,
Louise Nevelson: Selected Works
San Jose,
Louise Nevelson: The Fourth Dimension
Louise Nevelson: Symphony of Ambient Forms
View Artist's CV