Louise Nevelson, ‘Untitled (to Anita Berliawsky)’, 1951, Sculpture, Cast and painted aluminum, Rago/Wright
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Louise Nevelson

Untitled (to Anita Berliawsky), 1951

Cast and painted aluminum
25 × 7 × 7 in
63.5 × 17.8 × 17.8 cm
Bidding closed
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RW
Rago/Wright

Impressed signature and date to lower edge 'Nevelson 51'.

Medium
Louise Nevelson
American, 1899–1988
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Louise Nevelson’s room-sized wood sculptures have been hailed as emblematic of many different movements, including Abstract Expressionism, Cubism, and Surrealism. Monochromatic and usually black, with isolated departures into white and gold, Nevelson assembled the sculptures using discarded pieces of wood that she received or found on the street. As part of Nevelson’s massive, commanding works of art, the scrap wood takes on majestic proportions, reflecting the artist’s personal story of dislocation and self-invention. In Mrs. N’s Palace (1964-1977), a 20-foot-wide tomb-like sculpture with a hollow interior, mirrored floor, and artifacts from her life, Nevelson provides a glimpse into her own physical and personal history.

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Louise Nevelson, ‘Untitled (to Anita Berliawsky)’, 1951, Sculpture, Cast and painted aluminum, Rago/Wright
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Share
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RW
Rago/Wright

Impressed signature and date to lower edge 'Nevelson 51'.

Medium
Louise Nevelson
American, 1899–1988
Follow

Louise Nevelson’s room-sized wood sculptures have been hailed as emblematic of many different movements, including Abstract Expressionism, Cubism, and Surrealism. Monochromatic and usually black, with isolated departures into white and gold, Nevelson assembled the sculptures using discarded pieces of wood that she received or found on the street. As part of Nevelson’s massive, commanding works of art, the scrap wood takes on majestic proportions, reflecting the artist’s personal story of dislocation and self-invention. In Mrs. N’s Palace (1964-1977), a 20-foot-wide tomb-like sculpture with a hollow interior, mirrored floor, and artifacts from her life, Nevelson provides a glimpse into her own physical and personal history.

Louise Nevelson

Untitled (to Anita Berliawsky), 1951

Cast and painted aluminum
25 × 7 × 7 in
63.5 × 17.8 × 17.8 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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