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Large wall-hanging charger with maple leaves, ca. 1900

2 1/2 × 20 1/2 in
6.4 × 52.1 cm
Bidding closed
About the work
R
Rago

Golfe-Juan, France

Golfe-Juan, France

Medium
Design/Decorative Art
Signature
Signed
Lucien Lévy-Dhurmer
French, 1865–1953
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Best known today as a Symbolist painter, Lucien Lévy-Dhurmer made an unforgettable impact on France's ceramics revolution through his work with Clément Massier in Golfe-Juan between 1887 and 1895. The two men worked together on innovative shapes, the rediscovery of luster glazes, and the use of luster glazes with etching to bring about fantastically complex effects. Lévy-Dhurmer's decorations were influenced by the prevailing fervor for Japanese, Islamic, and other Near Eastern ceramics but, a Symbolist at heart, he often rejected realism in favor of mysticism and spirituality. His unique contribution was his ability to produce shapes and patterns that seem to shimmer with life, while suggesting deeper meanings. [Source: Jason Jacques]

Clément Massier
French, 1845–1917
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Born into a family of ceramists, Clément Massier took an interest in the business from an early age. In 1884, after years of work, study, and travel, he relocated his share of the family firm to Golfe-Juan and began producing Hispano-Moresque-influenced pottery, with silver and copper oxide glazes made iridescence in a smoky kiln. Following the arrival Lucien Lévy-Dhurmer in 1887, Massier introduced fiery luster glazes enriched with etching and painting, applying them to forms ranging from hand-built individuality to slip-cast uniformity. He was soon in command of a busy factory and a showroom that boasted an elite international clientele. [Source: Jason Jacques]

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view
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About the work
R
Rago

Golfe-Juan, France

Golfe-Juan, France

Medium
Design/Decorative Art
Signature
Signed
Lucien Lévy-Dhurmer
French, 1865–1953
Follow

Best known today as a Symbolist painter, Lucien Lévy-Dhurmer made an unforgettable impact on France's ceramics revolution through his work with Clément Massier in Golfe-Juan between 1887 and 1895. The two men worked together on innovative shapes, the rediscovery of luster glazes, and the use of luster glazes with etching to bring about fantastically complex effects. Lévy-Dhurmer's decorations were influenced by the prevailing fervor for Japanese, Islamic, and other Near Eastern ceramics but, a Symbolist at heart, he often rejected realism in favor of mysticism and spirituality. His unique contribution was his ability to produce shapes and patterns that seem to shimmer with life, while suggesting deeper meanings. [Source: Jason Jacques]

Clément Massier
French, 1845–1917
Follow

Born into a family of ceramists, Clément Massier took an interest in the business from an early age. In 1884, after years of work, study, and travel, he relocated his share of the family firm to Golfe-Juan and began producing Hispano-Moresque-influenced pottery, with silver and copper oxide glazes made iridescence in a smoky kiln. Following the arrival Lucien Lévy-Dhurmer in 1887, Massier introduced fiery luster glazes enriched with etching and painting, applying them to forms ranging from hand-built individuality to slip-cast uniformity. He was soon in command of a busy factory and a showroom that boasted an elite international clientele. [Source: Jason Jacques]

Large wall-hanging charger with maple leaves, ca. 1900

2 1/2 × 20 1/2 in
6.4 × 52.1 cm
Bidding closed
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