Lui Shou Kwan 呂壽琨, ‘ Guanyin Grotto’, 1969, Painting, Chinese ink & colour on rice paper, Alisan Fine Arts
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Guanyin Grotto, 1969

Chinese ink & colour on rice paper
58 3/10 × 31 9/10 in
148 × 81 cm
.
Contact For Price
Location
Hong Kong
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About the work
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Lui Shou Kwan 呂壽琨
Chinese, 1919–1975
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In his Zen Paintings, Lui Shou Kwan attempts to capture and convey an elusive state of mind attainable only through studied attempts at emptiness. He explains, “Color and form philosophically refer to objects with physical manifestation. How can one express this luminous completeness in a painting, to attain the state of boundless color and form? This is what Zen painting inspires.” Many of his early works adhere to a traditional style of depiction, likely influenced by Liu’s father, who was a scholar and painter. In his later Zen paintings, Lui placed only a few thoughtful ink marks on paper, sometimes juxtaposing these black marks with smaller forms in red or blue. Liu’s work channels the expressive power of an artist’s near spiritual connection to his materials. In this way, his artistic approach is similar to that of American Abstract Expressionist artists such as Adolph Gottlieb and Franz Kline.

Lui Shou Kwan 呂壽琨, ‘ Guanyin Grotto’, 1969, Painting, Chinese ink & colour on rice paper, Alisan Fine Arts
Save
Save
View
View in room
Share
Share
About the work
Medium
Certificate of authenticity
Included
Lui Shou Kwan 呂壽琨
Chinese, 1919–1975
Follow

In his Zen Paintings, Lui Shou Kwan attempts to capture and convey an elusive state of mind attainable only through studied attempts at emptiness. He explains, “Color and form philosophically refer to objects with physical manifestation. How can one express this luminous completeness in a painting, to attain the state of boundless color and form? This is what Zen painting inspires.” Many of his early works adhere to a traditional style of depiction, likely influenced by Liu’s father, who was a scholar and painter. In his later Zen paintings, Lui placed only a few thoughtful ink marks on paper, sometimes juxtaposing these black marks with smaller forms in red or blue. Liu’s work channels the expressive power of an artist’s near spiritual connection to his materials. In this way, his artistic approach is similar to that of American Abstract Expressionist artists such as Adolph Gottlieb and Franz Kline.

Guanyin Grotto, 1969

Chinese ink & colour on rice paper
58 3/10 × 31 9/10 in
148 × 81 cm
.
Contact For Price
Location
Hong Kong
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Have a question? Visit our help center.
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