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Variable dimensions refer to installation.

Medium

Lygia Pape ranged widely across mediums, challenging formal and conceptual boundaries and becoming a pioneer of Brazilian contemporary art. Claiming, “art is my way of understanding the world,” she worked in painting, printmaking, sculpture, dance, film, performance, and installation, always attempting to merge art and life. Her career began in the 1950s, with her involvement in the Concretist and Neo-Concretist movements, during which she created Op Art compositions driven by geometry and line. She later moved beyond these movements, orchestrating one of her best-known works, Divisor, in 1968, for which she invited people to poke their heads through slits cut into a capacious white sheet and move en masse in a circle. Towards the end of her life, she was crafting vivid installations, which, like all of her work, integrated the aesthetic, ethical, and political with elegance and wit.

Blue chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), The Museum of Modern Art
Selected exhibitions
2019
Sur moderno: Journeys of Abstraction―The Patricia Phelps de Cisneros GiftThe Museum of Modern Art
2018
Radical Women: Latin American Art, 1960–1985Brooklyn Museum
Lygia PapeHauser & Wirth
View all

Tteia, 1976-2004

Installation of gold thread
.
Location
New York
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Variable dimensions refer to installation.

Medium

Lygia Pape ranged widely across mediums, challenging formal and conceptual boundaries and becoming a pioneer of Brazilian contemporary art. Claiming, “art is my way of understanding the world,” she worked in painting, printmaking, sculpture, dance, film, performance, and installation, always attempting to merge art and life. Her career began in the 1950s, with her involvement in the Concretist and Neo-Concretist movements, during which she created Op Art compositions driven by geometry and line. She later moved beyond these movements, orchestrating one of her best-known works, Divisor, in 1968, for which she invited people to poke their heads through slits cut into a capacious white sheet and move en masse in a circle. Towards the end of her life, she was crafting vivid installations, which, like all of her work, integrated the aesthetic, ethical, and political with elegance and wit.

Blue chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), The Museum of Modern Art
Selected exhibitions (3)
Other works from The Illusive Eye
Other works by Lygia Pape
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