Lygia Pape, ‘Untitled (Grupo Frente)’, 1954, Painting, Tempera on wood, Bergamin & Gomide
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Lygia Pape

Untitled (Grupo Frente), 1954

Tempera on wood
15 7/10 × 15 7/10 × 2 in
40 × 40 × 5 cm
.
Contact For Price
Location
São Paulo
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About the work
Lygia Pape
Brazilian, 1927–2004
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Lygia Pape ranged widely across mediums, challenging formal and conceptual boundaries and becoming a pioneer of Brazilian contemporary art. Claiming, “art is my way of understanding the world,” she worked in painting, printmaking, sculpture, dance, film, performance, and installation, always attempting to merge art and life. Her career began in the 1950s, with her involvement in the Concretist and Neo-Concretist movements, during which she created Op Art compositions driven by geometry and line. She later moved beyond these movements, orchestrating one of her best-known works, Divisor, in 1968, for which she invited people to poke their heads through slits cut into a capacious white sheet and move en masse in a circle. Towards the end of her life, she was crafting vivid installations, which, like all of her work, integrated the aesthetic, ethical, and political with elegance and wit.

Lygia Pape, ‘Untitled (Grupo Frente)’, 1954, Painting, Tempera on wood, Bergamin & Gomide
Save
Save
Share
Share
About the work
Lygia Pape
Brazilian, 1927–2004
Follow

Lygia Pape ranged widely across mediums, challenging formal and conceptual boundaries and becoming a pioneer of Brazilian contemporary art. Claiming, “art is my way of understanding the world,” she worked in painting, printmaking, sculpture, dance, film, performance, and installation, always attempting to merge art and life. Her career began in the 1950s, with her involvement in the Concretist and Neo-Concretist movements, during which she created Op Art compositions driven by geometry and line. She later moved beyond these movements, orchestrating one of her best-known works, Divisor, in 1968, for which she invited people to poke their heads through slits cut into a capacious white sheet and move en masse in a circle. Towards the end of her life, she was crafting vivid installations, which, like all of her work, integrated the aesthetic, ethical, and political with elegance and wit.

Lygia Pape

Untitled (Grupo Frente), 1954

Tempera on wood
15 7/10 × 15 7/10 × 2 in
40 × 40 × 5 cm
.
Contact For Price
Location
São Paulo
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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