Lynda Benglis, ‘Gold Leafed Bronze Wings’, 1979, Alpha 137 Gallery

Signed and numbered in pencil from the edition of 100. Published by Landfall Press, a rare limited edition print from the 1970s, depicting an installation by one of the most dynamic influential and important art world superstars of our time.

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Signature: Signed, Numbered from the edition of 100 and dated 1979 in bright green crayon. Bears publishers distinctive blind stamp and artist's unique inventory number on the verso

Publisher: Landfall Press

About Lynda Benglis

Lynda Benglis moved to New York at the apex of Minimalism in the 1960s. Using brightly colored polyurethane foam and incorporating wide-ranging influences, such as Abstract Expressionism, Process Art, Minimalism, Feminist art, geological forms, and ceremonial totems, Benglis developed her instantly recognizable sculptural language of undulating, oozing biomorphic forms. Along with other feminist artists, she challenged the cool, rationalist premise of the male-dominated Minimalist movement, refusing to accept limitations, whether political or aesthetic. In addition to sculpture, Benglis works in video and photography, and has used media interventions (such as a well known ad placed in Artforum in 1974, showing the artist nude with a dildo between her legs) to explore notions of power and gender relations.

American, b. 1941, Lake Charles, Louisiana , based in New York, New York

Solo Shows

Lynda Benglis: Everything Flows (1980-2013)

Group Shows

Los Angeles,
Ogden Museum of Southern Art, 
New Orleans, LA, USA,
The Whole Drum Will Sound: Women in Southern Abstraction
New York,
Miami Beach,
Art Public
Katherine Cone Gallery, 
Los Angeles,
You Don't Know Jack
View Artist's CV