Mai-Thu Perret, ‘Flow my Tears I’, 2011, PRISKA PASQUER
Save
Save
Share
Share

Mai-Thu Perret

Flow my Tears I, 2011

Mannequin with a glass head Schiaparelli 'skeleton' replica dress realised by Naoyuki Yoneto
Edition of 2 + 1AP
This is part of a limited edition set.
Location
Cologne
Want to sell a work by this artist? Consign with Artsy.
About the work
Mai-Thu Perret
Swiss, b. 1976
Follow

Citing influences such as utopian feminist literature, art theory, Russian Constructivism, and the Arts & Crafts movement, Mai-Thu Perret’s diverse body of work encompasses sculpture, painting, video, and installation. Since 1999, Perret has worked on a series called "The Crystal Frontier," which documents her participation in a women’s commune based in New Mexico. Through diary entries, abstract paintings, and artisanal objects, Perret constructs a piecemeal narrative describing life at the commune. By focusing on the fragment as a narrative device, Perret invokes the pastiche technique employed in postmodern literature and demonstrates her interest in the structure of language. Her relationship with language and narrative is epitomized in text works such as Society is a Hole (2009), in which ambiguous musings are spelled out in bright pink lettering, inviting the viewer to fill in the gaps in the implied narrative.

Mai-Thu Perret, ‘Flow my Tears I’, 2011, PRISKA PASQUER
Save
Save
Share
Share
About the work
Mai-Thu Perret
Swiss, b. 1976
Follow

Citing influences such as utopian feminist literature, art theory, Russian Constructivism, and the Arts & Crafts movement, Mai-Thu Perret’s diverse body of work encompasses sculpture, painting, video, and installation. Since 1999, Perret has worked on a series called "The Crystal Frontier," which documents her participation in a women’s commune based in New Mexico. Through diary entries, abstract paintings, and artisanal objects, Perret constructs a piecemeal narrative describing life at the commune. By focusing on the fragment as a narrative device, Perret invokes the pastiche technique employed in postmodern literature and demonstrates her interest in the structure of language. Her relationship with language and narrative is epitomized in text works such as Society is a Hole (2009), in which ambiguous musings are spelled out in bright pink lettering, inviting the viewer to fill in the gaps in the implied narrative.

Mai-Thu Perret

Flow my Tears I, 2011

Mannequin with a glass head Schiaparelli 'skeleton' replica dress realised by Naoyuki Yoneto
Edition of 2 + 1AP
This is part of a limited edition set.
Location
Cologne
Want to sell a work by this artist? Consign with Artsy.
Other works from RESET I and MODERNISM
Other works by Mai-Thu Perret
Other works from PRISKA PASQUER
Related works
Most Similar