Manfred Mohr, ‘P-480/010110’, 1992, bitforms gallery
Manfred Mohr, ‘P-480/010110’, 1992, bitforms gallery

Mohr's "Laserglyphs" phase (1991-1992) is based on the six-dimensional hypercube. This geometrically defined structure has thirty-two diagonals. The two endpoints of each diagonal lie diametrically opposite in the structure. A diagonal-path is the connection of two such diametric points through the network of edges of this complex structure. In a 6D hypercube, each of these thirty-two diagonals have 720 different diagonal-paths. For each "Laserglyphs" piece, a random selection of four diagonal-paths from this repertoire of 23040 (32x720) possible paths is made. The 2D dimensional projection of such groups of four are cut out of a metal plate by a laser to form a relief, such as in "P-486-Q" (1992). "P-480/010110" (1992) shows the 720 diagonal-paths between between two diagonally opposite points in the 6D structure.

About Manfred Mohr

Influenced by his experience as a jazz musician and by German philosopher Max Bense’s theories on rational aesthetics, Manfred Mohr has been an innovator in the field of computer-generated art. To manipulate, for example, the myriad variations of the 11-dimension hypercube, Mohr created algorithms in FORTRAN programming language and printed them on flatbed plotters before the advent of laser printers. Mohr’s “Klangfarben” series (2008) features paintings and digital animation of brightly colored diagonal lines and intersecting planes against a flat black background.

German, b. 1938, Pforzheim, Germany

Solo Shows

2016
2016
Carroll / Fletcher, 
London ,
Artificiata II
2012
Carroll / Fletcher, 
London ,
Manfred Mohr: one and zero

Group Shows

2016
Carroll / Fletcher, 
London ,
LOOKING AT ONE THING AND THINKING OF SOMETHING ELSE
2015
2014
Carroll / Fletcher, 
London ,
Pencil / Line / Eraser
2007
Kunsthalle, 
Bremen, Germany,
'Ex Machina - Early Computer Art until 1979'
View Artist's CV