Manuel Álvarez Bravo, ‘Los Agachados (The crouched ones)’, 1934, Phillips
Manuel Álvarez Bravo, ‘Los Agachados (The crouched ones)’, 1934, Phillips
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Los Agachados (The crouched ones), 1934

Gelatin silver print
3 × 3 3/10 in
7.6 × 8.3 cm
Bidding closed
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About the work
Bibliography
Provenance
P
Phillips

From the Catalogue:
This photograph comes originally from the collection of Jacob Bean, Curator of …

Read more

From the Catalogue:
This photograph comes originally from the collection of Jacob Bean, Curator of Drawings at The Metropolitan Museum from 1960 to the early 1990s. In the 1940s, Bean worked for pioneering gallerist Julien Levy who exhibited Bravo’s photographs in 1935 in the now-famous Documentary and Anti-Graphic …

Read more
Signature
Credited in an unidentified hand in ink on the verso.
Manuel Álvarez Bravo
Mexican, 1902–2002
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Manuel Álvarez Bravo initially photographed abstract paper forms, but became known for capturing …

Read more

Manuel Álvarez Bravo initially photographed abstract paper forms, but became known for capturing the rise of a post-revolutionary modern culture in his native Mexico. Encouraged to pursue his art by an admiring Edward Weston, Álvarez Bravo photographed what he saw around him, his unique perspective adding a poetic …

Read more
Manuel Álvarez Bravo, ‘Los Agachados (The crouched ones)’, 1934, Phillips
Manuel Álvarez Bravo, ‘Los Agachados (The crouched ones)’, 1934, Phillips
Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Bibliography
Provenance
P
Phillips

From the Catalogue:
This photograph comes originally from the collection of Jacob Bean, Curator of …

Read more

From the Catalogue:
This photograph comes originally from the collection of Jacob Bean, Curator of Drawings at The Metropolitan Museum from 1960 to the early 1990s. In the 1940s, Bean worked for pioneering gallerist Julien Levy who exhibited Bravo’s photographs in 1935 in the now-famous Documentary and Anti-Graphic …

Read more
Signature
Credited in an unidentified hand in ink on the verso.
Manuel Álvarez Bravo
Mexican, 1902–2002
Follow

Manuel Álvarez Bravo initially photographed abstract paper forms, but became known for capturing …

Read more

Manuel Álvarez Bravo initially photographed abstract paper forms, but became known for capturing the rise of a post-revolutionary modern culture in his native Mexico. Encouraged to pursue his art by an admiring Edward Weston, Álvarez Bravo photographed what he saw around him, his unique perspective adding a poetic …

Read more

Los Agachados (The crouched ones), 1934

Gelatin silver print
3 × 3 3/10 in
7.6 × 8.3 cm
Bidding closed
Want to sell a work by this artist? Learn more.