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Señor de Papantla / The Man of Papan, 1934-5 (printed 1977)

Gelatin silver print, printed 1977- portfolio by Acorn Editions, Switzerland
10 × 8 in
25.4 × 20.3 cm
Edition of 100
This is part of a limited edition set.
Contact For Price
location
New York, London
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About the work
Signature
Signed and numbered 94/100 in pencil on verso
Manuel Álvarez Bravo
Mexican, 1902–2002
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Manuel Álvarez Bravo initially photographed abstract paper forms, but became known for capturing the rise of a post-revolutionary modern culture in his native Mexico. Encouraged to pursue his art by an admiring Edward Weston, Álvarez Bravo photographed what he saw around him, his unique perspective adding a poetic quality to the quotidian scenes. The Great Penitent (1930), for instance, captures a woman lying face down on a sidewalk in front of a church; shot from a bird’s eye view, electrical wires run through the frame and the heads of the saints adorning the building have been cut out, lending the image a striking visual composition and intellectual complexity. Álvarez Bravo also flirted with Surrealism without fully embracing it, shooting real yet uncanny subjects, such as an optical store plastered with eye illustrations (Optical Parable, 1931).

Save
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view
View in room
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view
View in room
share
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About the work
Signature
Signed and numbered 94/100 in pencil on verso
Manuel Álvarez Bravo
Mexican, 1902–2002
Follow

Manuel Álvarez Bravo initially photographed abstract paper forms, but became known for capturing the rise of a post-revolutionary modern culture in his native Mexico. Encouraged to pursue his art by an admiring Edward Weston, Álvarez Bravo photographed what he saw around him, his unique perspective adding a poetic quality to the quotidian scenes. The Great Penitent (1930), for instance, captures a woman lying face down on a sidewalk in front of a church; shot from a bird’s eye view, electrical wires run through the frame and the heads of the saints adorning the building have been cut out, lending the image a striking visual composition and intellectual complexity. Álvarez Bravo also flirted with Surrealism without fully embracing it, shooting real yet uncanny subjects, such as an optical store plastered with eye illustrations (Optical Parable, 1931).

Señor de Papantla / The Man of Papan, 1934-5 (printed 1977)

Gelatin silver print, printed 1977- portfolio by Acorn Editions, Switzerland
10 × 8 in
25.4 × 20.3 cm
Edition of 100
This is part of a limited edition set.
Contact For Price
location
New York, London
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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