Marc Chagall, ‘La Femme De Potiphar (Cramer Books 30)’, 1931-39, Doyle
Marc Chagall, ‘La Femme De Potiphar (Cramer Books 30)’, 1931-39, Doyle

Signed with initials and numbered 59/100 in pencil, from Le Bible, published by Tériade, Paris, with wide margins, framed.

11.75 x 9.75 inches; 298 x 248 mm.

Sheet 17.375 x 15.375 inches; 441 x 391 mm.

Signature: Signed with initials and numbered 59/100 in pencil

About Marc Chagall

Honored for his distinct style and pioneering role among Jewish artists, Marc Chagall painted dream-like subjects rooted in personal history and Eastern European folklore. He worked in several mediums, including painting, printmaking, and book illustration, and his stained glass windows can be seen in New York, France, and Jerusalem. Chagall arrived in Paris in 1910 and began experimenting with Cubism, befriending painters Robert Delaunay and Fernand Léger. Chagall’s style has been described as a hybrid of Cubism, Fauvism, and Symbolism, and his supernatural subjects are thought to have significantly influenced the Surrealists. Though he actively engaged in the Parisian artistic community, art for Chagall was first and foremost a means of personal expression. He preferred to be considered separately from other artists, his imagery and allegory uniquely his own.

Russian-French, 1887-1985, Vitebsk, Belarus