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Marc Chagall

Printemps, 1938

Lithograph
14 × 10 1/2 in
35.6 × 26.7 cm
This is an editioned multiple.
Sold
Location
St. Augustine
Want to sell a work by this artist? Consign with Artsy.
About the work
Bibliography

“When I held a lithographic stone or a copperplate in my hand I thought I was touching a talisman,”

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“When I held a lithographic stone or a copperplate in my hand I thought I was touching a talisman,” Marc Chagall wrote in 1960. “It seemed to me that I could put all my joys and sorrows in it.” Since his earliest prints in 1922, Chagall turned to lithography to create dream-like compositions, often featuring floating …

Read more
Graves International Art
St. Augustine
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An original lithograph on wove paper after Russian-French artist Marc Chagall (1887-1985) titled …

Read more

An original lithograph on wove paper after Russian-French artist Marc Chagall (1887-1985) titled "Printemps", 1938. Limited edition: approx. 2000. Chagall authorized and was commissioned to see this print produced. Comes from the famous "Verve" portfolio, Volume 3 (Summer 1938), pg. 94. Printed …

Read more
Medium
Print
Signature
Issued unsigned, not signed
Certificate of authenticity
Not included
Frame
Not included
Series
"Verve" portfolio, Volume 3, 1938
Publisher
Verve
Image rights
Copyright © Graves International Art
Marc Chagall
Russian-French, 1887–1985
Follow

Honored for his distinct style and pioneering role among Jewish artists, Marc Chagall painted dream-like subjects rooted in personal history and Eastern European folklore. He worked in several mediums, including painting, printmaking, and book illustration, and his stained glass windows can be seen in New York, France, and Jerusalem. Chagall arrived in Paris in 1910 and began experimenting with Cubism, befriending painters Robert Delaunay and Fernand Léger. Chagall’s style has been described as a hybrid of Cubism, Fauvism, and Symbolism, and his supernatural subjects are thought to have significantly influenced the Surrealists. Though he actively engaged in the Parisian artistic community, art for Chagall was first and foremost a means of personal expression. He preferred to be considered separately from other artists, his imagery and allegory uniquely his own.

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Navigate right
Save
Save
View
View in room
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Save
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View
View in room
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About the work
Bibliography

“When I held a lithographic stone or a copperplate in my hand I thought I was touching a talisman,”

Read more

“When I held a lithographic stone or a copperplate in my hand I thought I was touching a talisman,” Marc Chagall wrote in 1960. “It seemed to me that I could put all my joys and sorrows in it.” Since his earliest prints in 1922, Chagall turned to lithography to create dream-like compositions, often featuring floating …

Read more
Graves International Art
St. Augustine
Follow

An original lithograph on wove paper after Russian-French artist Marc Chagall (1887-1985) titled …

Read more

An original lithograph on wove paper after Russian-French artist Marc Chagall (1887-1985) titled "Printemps", 1938. Limited edition: approx. 2000. Chagall authorized and was commissioned to see this print produced. Comes from the famous "Verve" portfolio, Volume 3 (Summer 1938), pg. 94. Printed …

Read more
Medium
Print
Signature
Issued unsigned, not signed
Certificate of authenticity
Not included
Frame
Not included
Series
"Verve" portfolio, Volume 3, 1938
Publisher
Verve
Image rights
Copyright © Graves International Art
Marc Chagall
Russian-French, 1887–1985
Follow

Honored for his distinct style and pioneering role among Jewish artists, Marc Chagall painted dream-like subjects rooted in personal history and Eastern European folklore. He worked in several mediums, including painting, printmaking, and book illustration, and his stained glass windows can be seen in New York, France, and Jerusalem. Chagall arrived in Paris in 1910 and began experimenting with Cubism, befriending painters Robert Delaunay and Fernand Léger. Chagall’s style has been described as a hybrid of Cubism, Fauvism, and Symbolism, and his supernatural subjects are thought to have significantly influenced the Surrealists. Though he actively engaged in the Parisian artistic community, art for Chagall was first and foremost a means of personal expression. He preferred to be considered separately from other artists, his imagery and allegory uniquely his own.

Marc Chagall

Printemps, 1938

Lithograph
14 × 10 1/2 in
35.6 × 26.7 cm
This is an editioned multiple.
Sold
Location
St. Augustine
Want to sell a work by this artist? Consign with Artsy.
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