Marc Chagall, ‘So I came Forth of the Sea…, from: Four Tales from the Arabian Nights’, 1948, Gilden's Art Gallery

MARC CHAGALL 1887-1985
[Shagal, Mark, Zakharovich, Moses]
Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence, Alpes-Maritimes

Title: So I came Forth of the Sea…, from: Four Tales from the Arabian Nights, 1948

Technique: Original Hand Signed and Numbered Lithograph in Colours on Laid Paper

Paper size: 43 x 33 cm. / 16.9 x 12.9 in.
Image size: 37.5 x 28.3 cm. / 14.7 x 11.1 in.

Additional Information: This original lithograph in colours is hand signed in pencil by the artist "Marc Chagall" at the lower right margin.
It is also numbered in pencil from the edition of 90 and inscribed “pl. 5” at the lower left margin
The work is the 5th plate (of 12) from the Album "Four Tales from the Arabian Nights".
This work was printed in 1948 in a limited edition of 90 signed and numbered impressions by Albert Carman, New York. It was published by Pantheon, New York.
There is a thirteenth composition which was only included in ten of the portfolios.

Note: Each composition illustrates a piece of text from one of four tales from the Arabian nights. This composition relates to the story of “Julnar the Sea-Born and her son King Badr Bassim of Persia”. The text from which the image was created is – “So I came forth of the Sea and sat down on the edge of an island in the moonshine…”

Literature:

  1. Mourlot, F., & Sorlier, C., (1960). Chagall: The Lithographs I: 1922-1957 (Catalogue Raisonné). D.A.P./Distributed Art Publishers, Inc.
    Reference: Mourlot 40
  2. Cramer, P. (1995). Marc Chagall: The Illustrated Books: Catalogue Raisonné. Geneva: Cramer
    Reference: Cramer 18

Condition: Excellent condition. The colours are strong.

About Marc Chagall

Honored for his distinct style and pioneering role among Jewish artists, Marc Chagall painted dream-like subjects rooted in personal history and Eastern European folklore. He worked in several mediums, including painting, printmaking, and book illustration, and his stained glass windows can be seen in New York, France, and Jerusalem. Chagall arrived in Paris in 1910 and began experimenting with Cubism, befriending painters Robert Delaunay and Fernand Léger. Chagall’s style has been described as a hybrid of Cubism, Fauvism, and Symbolism, and his supernatural subjects are thought to have significantly influenced the Surrealists. Though he actively engaged in the Parisian artistic community, art for Chagall was first and foremost a means of personal expression. He preferred to be considered separately from other artists, his imagery and allegory uniquely his own.

Russian-French, 1887-1985, Vitebsk, Belarus