Marc Chagall, ‘The Dead Dolphin and the Three Hundred Dracmas, from Daphnis and Chlöe’, 1961, Print, Lithograph in colors, Rago/Wright
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Marc Chagall

The Dead Dolphin and the Three Hundred Dracmas, from Daphnis and Chlöe, 1961

Lithograph in colors
16 1/2 × 12 1/2 in
41.9 × 31.8 cm
Edition of 250
.
Bidding closed
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RW
Rago/Wright

16.5 x 12.5" (sheet)

Printer: Mourlot, Paris

Medium
Signature
From an edition of 250
Publisher
Teriade, Paris
Marc Chagall
Russian-French, 1887–1985
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Honored for his distinct style and pioneering role among Jewish artists, Marc Chagall painted dream-like subjects rooted in personal history and Eastern European folklore. He worked in several mediums, including painting, printmaking, and book illustration, and his stained glass windows can be seen in New York, France, and Jerusalem. Chagall arrived in Paris in 1910 and began experimenting with Cubism, befriending painters Robert Delaunay and Fernand Léger. Chagall’s style has been described as a hybrid of Cubism, Fauvism, and Symbolism, and his supernatural subjects are thought to have significantly influenced the Surrealists. Though he actively engaged in the Parisian artistic community, art for Chagall was first and foremost a means of personal expression. He preferred to be considered separately from other artists, his imagery and allegory uniquely his own.

Marc Chagall, ‘The Dead Dolphin and the Three Hundred Dracmas, from Daphnis and Chlöe’, 1961, Print, Lithograph in colors, Rago/Wright
Save
Save
View
View in room
Share
Share
RW
Rago/Wright

16.5 x 12.5" (sheet)

Printer: Mourlot, Paris

Medium
Signature
From an edition of 250
Publisher
Teriade, Paris
Marc Chagall
Russian-French, 1887–1985
Follow

Honored for his distinct style and pioneering role among Jewish artists, Marc Chagall painted dream-like subjects rooted in personal history and Eastern European folklore. He worked in several mediums, including painting, printmaking, and book illustration, and his stained glass windows can be seen in New York, France, and Jerusalem. Chagall arrived in Paris in 1910 and began experimenting with Cubism, befriending painters Robert Delaunay and Fernand Léger. Chagall’s style has been described as a hybrid of Cubism, Fauvism, and Symbolism, and his supernatural subjects are thought to have significantly influenced the Surrealists. Though he actively engaged in the Parisian artistic community, art for Chagall was first and foremost a means of personal expression. He preferred to be considered separately from other artists, his imagery and allegory uniquely his own.

Marc Chagall

The Dead Dolphin and the Three Hundred Dracmas, from Daphnis and Chlöe, 1961

Lithograph in colors
16 1/2 × 12 1/2 in
41.9 × 31.8 cm
Edition of 250
.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.

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