Marcel Dzama, ‘Untitled lithograph from The Cabin of Count Dracula ’, 2004, The Modern Archive

The complete collection of 20 lithographs were included in a hand made wooden box in the shape of a log cabin on a bed of faux beaver fur. Collection also included Albatross Note The Dracula EP record album. Framed with black metal frame with archival rag mat with black liner and TruGuard UV Protection plexi-glass.
Marcel Dzama helped found the Royal Art Lodge in 1996, an artist collective in Manitoba, creating puppets, dolls, videos, costumes, musical performances and drawings. Known for his fine draftsmanship, and his provocative collages, dioramas and large scale polyptychs all depicting incongruous images and themes. He draws inspiration from Disneyesque cartoon characters of the 1940's and 50's and the chaotic energy of Japanese animation. In this image, Dzama depicts three smiling young women, all bending slightly forward, as if to look more closely at the tip-toeing squirrel with a toadstool umbrella and an elephant spraying from his trunk. The image is at once adorable and somehow unsettling, subtly questioning the wholesomeness of those long-ago cartoons. Dzama is both a ringmaster and a provocateur, in the simplest media.
He has collaborated with progressive rock artists, They Might Be Giants, and provided the cover art for an album cover for Beck. His stature as a cult artist is enhanced by the fame of many of his collectors including Jim Carrey, Brad Pitt and Nicholas Cage.

Signature: Marked artist proof and signed in the right bottom corner.

Publisher: Trillium Press

Marcel Dzama

About Marcel Dzama

Often compared to outsider artist Henry Darger, Marcel Dzama’s small ink and watercolor drawings of hybrid characters, like humans with antlers or trees with hands, resemble story illustrations. Interspersed with a range of references including Surrealist film, Dadaism and Soviet-era agitprop, his work more often recalls folk and craft storytelling traditions, showing that simple narrative can be an intricate, compelling contemporary art-making strategy. Dzama also works in sculpture and video and has experimented with puppetry and costumes. His work has been used on the covers of a number of music albums for bands such as They Might Be Giants, Beck, and The Weakerthans; and his costume designs have been seen in music videos, including the video for the Bob Dylan’s When the Deal Goes Down.

Canadian, b. 1974, Winnipeg, Canada, based in Brooklyn, New York