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The Family, 2006

Diptych - set of 2 color photographs on Kodak crystal archive photographic paper
14 × 11 in
35.6 × 27.9 cm
Edition of 50 + 16AP
This is part of a limited edition set.
€3,500
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About the work
inch&cm
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Printed at Laumont Editions, New York; Published by The Quiet in the Land, Inc.

Printed at Laumont Editions, New York; Published by The Quiet in the Land, Inc.

Signature
Each signed, titled, dated and numbered verso
Marina Abramović
Serbian, b. 1946
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Working in a wide range of media, Marina Abramović is best known for her provocative performance works, employing her own body as both subject and medium. In an early performance entitled Rhythm 10, Abramović repeatedly stabbed the spaces between her fingers with a series of knives, effectively testing the relationship between the mental and physical, and reinterpreting the concept of rhythm. Between 1976 and 1988, Abramović collaborated with German photographer and performance artist Ulay to create performance works that explore such binaries as male and female, active and passive, through the execution of repetitive, exhausting, and often painful actions. Abramović has continued to work independently since then, staging performative works that increasingly demand viewer involvement, such as her MoMA retrospective, “The Artist Is Present,” in which museum visitors could sit down across from Abramović at a table and engage in a silent exchange with the artist.

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About the work
inch&cm
Follow

Printed at Laumont Editions, New York; Published by The Quiet in the Land, Inc.

Printed at Laumont Editions, New York; Published by The Quiet in the Land, Inc.

Signature
Each signed, titled, dated and numbered verso
Marina Abramović
Serbian, b. 1946
Follow

Working in a wide range of media, Marina Abramović is best known for her provocative performance works, employing her own body as both subject and medium. In an early performance entitled Rhythm 10, Abramović repeatedly stabbed the spaces between her fingers with a series of knives, effectively testing the relationship between the mental and physical, and reinterpreting the concept of rhythm. Between 1976 and 1988, Abramović collaborated with German photographer and performance artist Ulay to create performance works that explore such binaries as male and female, active and passive, through the execution of repetitive, exhausting, and often painful actions. Abramović has continued to work independently since then, staging performative works that increasingly demand viewer involvement, such as her MoMA retrospective, “The Artist Is Present,” in which museum visitors could sit down across from Abramović at a table and engage in a silent exchange with the artist.

The Family, 2006

Diptych - set of 2 color photographs on Kodak crystal archive photographic paper
14 × 11 in
35.6 × 27.9 cm
Edition of 50 + 16AP
This is part of a limited edition set.
€3,500
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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