Marina Abramović, ‘(UNTITLED) HOMAGE TO JAN HOET  (SMAK Founder)’, 2004, Alpha 137 Gallery
Marina Abramović, ‘(UNTITLED) HOMAGE TO JAN HOET  (SMAK Founder)’, 2004, Alpha 137 Gallery
Marina Abramović, ‘(UNTITLED) HOMAGE TO JAN HOET  (SMAK Founder)’, 2004, Alpha 137 Gallery

Rarely to market, this lithograph printed on cream white wove BFK Rives paper was published by the artist for S.M.A.K. - Stedelijk Museum voor Actuele Kunst, Ghent, in honor of its founder Jan Hoet, who would die a decade later.
Provenance: World House Galleries

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Signature: Signed, dated and numbered in graphite from the edition of 100

World House Galleries

About Marina Abramović

Working in a wide range of media, Marina Abramović is best known for her provocative performance works, employing her own body as both subject and medium. In an early performance entitled Rhythm 10, Abramović repeatedly stabbed the spaces between her fingers with a series of knives, effectively testing the relationship between the mental and physical, and reinterpreting the concept of rhythm. Between 1976 and 1988, Abramović collaborated with German photographer and performance artist Ulay to create performance works that explore such binaries as male and female, active and passive, through the execution of repetitive, exhausting, and often painful actions. Abramović has continued to work independently since then, staging performative works that increasingly demand viewer involvement, such as her MoMA retrospective, “The Artist Is Present,” in which museum visitors could sit down across from Abramović at a table and engage in a silent exchange with the artist.

Serbian, b. 1946, Belgrade, Serbia, based in New York, NY, United States