Marino Marini, ‘Cheval rouge sur fond vert’, 1955, Koller Auctions

Outside the edition of 125. Signed lower left: MARINO. Sheet size 50.3 x 34.7 cm on vélin by Arches. Published by Galerie d'art Moderne, Basel. Printed by Wolfensberger, Zurich. Hardly visibly trimmed.

Catalogue raisonné: Guastalla, no. L51.

Acquired from Auktionshaus Kornfeld by the present owner; since then private collection Switzerland.

About Marino Marini

One of Italy’s most celebrated sculptors of the 20th century, Marino Marini primarily produced figurative bronze sculptures, though his practice also included paintings, drawings and etchings. Marini drew on the tradition of Etruscan and northern European sculpture, reinterpreting classical themes such as the female nude, the portrait bust, and the equestrian figure, which he combined with aspects of modernism—in particular exaggerated and elongated forms. Towards the end of his career Marini’s sometimes-monumental sculptures became increasingly abstracted. On trips to Paris and New York, he associated with Giorgio de Chirico, Jean Arp, Max Beckmann, and Alexander Calder, among other major modernist artists.

Italian, 1901-1980, Pistoia, Italy, based in Viareggio, Italy