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Marino Marini

Composizione, 1955, 1955

Lithograph
29 1/10 × 20 1/2 in
74 × 52 cm
This is part of a limited edition set.
€2,500 - 5,000
location
Zeist
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About the work
Bibliography
Van der Vorst- Art
Zeist
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Marino Marini- Composizione, 1955
Color lithograph on Arches paper, 1955
Hand signed in pencil.

Read more

Marino Marini- Composizione, 1955
Color lithograph on Arches paper, 1955
Hand signed in pencil.
Numbered 2 / 200 in pencil.
Printed by Mourlot, Paris.
Published by Berggruen & Ice, Paris.
Paper size: 74.0 x 52.0.
In excellent condition.
Catalogue: Guestella L53

Signature
Signed in pencil
Publisher
Bergrruen & Cie, Paris
Marino Marini
Italian, 1901–1980
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One of Italy’s most celebrated sculptors of the 20th century, Marino Marini primarily produced figurative bronze sculptures, though his practice also included paintings, drawings and etchings. Marini drew on the tradition of Etruscan and northern European sculpture, reinterpreting classical themes such as the female nude, the portrait bust, and the equestrian figure, which he combined with aspects of modernism—in particular exaggerated and elongated forms. Towards the end of his career Marini’s sometimes-monumental sculptures became increasingly abstracted. On trips to Paris and New York, he associated with Giorgio de Chirico, Jean Arp, Max Beckmann, and Alexander Calder, among other major modernist artists.

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view
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About the work
Bibliography
Van der Vorst- Art
Zeist
Follow

Marino Marini- Composizione, 1955
Color lithograph on Arches paper, 1955
Hand signed in pencil.

Read more

Marino Marini- Composizione, 1955
Color lithograph on Arches paper, 1955
Hand signed in pencil.
Numbered 2 / 200 in pencil.
Printed by Mourlot, Paris.
Published by Berggruen & Ice, Paris.
Paper size: 74.0 x 52.0.
In excellent condition.
Catalogue: Guestella L53

Signature
Signed in pencil
Publisher
Bergrruen & Cie, Paris
Marino Marini
Italian, 1901–1980
Follow

One of Italy’s most celebrated sculptors of the 20th century, Marino Marini primarily produced figurative bronze sculptures, though his practice also included paintings, drawings and etchings. Marini drew on the tradition of Etruscan and northern European sculpture, reinterpreting classical themes such as the female nude, the portrait bust, and the equestrian figure, which he combined with aspects of modernism—in particular exaggerated and elongated forms. Towards the end of his career Marini’s sometimes-monumental sculptures became increasingly abstracted. On trips to Paris and New York, he associated with Giorgio de Chirico, Jean Arp, Max Beckmann, and Alexander Calder, among other major modernist artists.

Marino Marini

Composizione, 1955, 1955

Lithograph
29 1/10 × 20 1/2 in
74 × 52 cm
This is part of a limited edition set.
€2,500 - 5,000
location
Zeist
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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Other works from Van der Vorst- Art
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