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Marino Marini

Nudo, 1947

Bronze
30 1/5 × 10 3/5 × 7 1/5 in
76.6 × 26.9 × 18.2 cm
This is a unique work.
Contact For Price
location
Milan
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About the work
Exhibition history
Bibliography
Studio Guastalla
Milan
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7 copies:
3 in Pistoia, Palazzo del Tau, Marino Marini Foundation (2 copies post 1980)
4 in private …

Read more

7 copies:
3 in Pistoia, Palazzo del Tau, Marino Marini Foundation (2 copies post 1980)
4 in private collection
Archive number: 206 (23/03/2007)

Signature
Signed M.M. and punch Fonderia d'Arte M.A.F. Milano
Image rights
Cristian Castelnuovo
Marino Marini
Italian, 1901–1980
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One of Italy’s most celebrated sculptors of the 20th century, Marino Marini primarily produced figurative bronze sculptures, though his practice also included paintings, drawings and etchings. Marini drew on the tradition of Etruscan and northern European sculpture, reinterpreting classical themes such as the female nude, the portrait bust, and the equestrian figure, which he combined with aspects of modernism—in particular exaggerated and elongated forms. Towards the end of his career Marini’s sometimes-monumental sculptures became increasingly abstracted. On trips to Paris and New York, he associated with Giorgio de Chirico, Jean Arp, Max Beckmann, and Alexander Calder, among other major modernist artists.

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About the work
Exhibition history
Bibliography
Studio Guastalla
Milan
Follow

7 copies:
3 in Pistoia, Palazzo del Tau, Marino Marini Foundation (2 copies post 1980)
4 in private …

Read more

7 copies:
3 in Pistoia, Palazzo del Tau, Marino Marini Foundation (2 copies post 1980)
4 in private collection
Archive number: 206 (23/03/2007)

Signature
Signed M.M. and punch Fonderia d'Arte M.A.F. Milano
Image rights
Cristian Castelnuovo
Marino Marini
Italian, 1901–1980
Follow

One of Italy’s most celebrated sculptors of the 20th century, Marino Marini primarily produced figurative bronze sculptures, though his practice also included paintings, drawings and etchings. Marini drew on the tradition of Etruscan and northern European sculpture, reinterpreting classical themes such as the female nude, the portrait bust, and the equestrian figure, which he combined with aspects of modernism—in particular exaggerated and elongated forms. Towards the end of his career Marini’s sometimes-monumental sculptures became increasingly abstracted. On trips to Paris and New York, he associated with Giorgio de Chirico, Jean Arp, Max Beckmann, and Alexander Calder, among other major modernist artists.

Marino Marini

Nudo, 1947

Bronze
30 1/5 × 10 3/5 × 7 1/5 in
76.6 × 26.9 × 18.2 cm
This is a unique work.
Contact For Price
location
Milan
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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Other works from Studio Guastalla
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