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Man Entering Movie Theatre by 'Colored' Entrance, Belzoni, Mississippi, in the Delta Area, 1939

Silver gelatin print, printed later
8 1/4 × 12 in
21 × 30.5 cm
This is a unique work.
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About the work
Elizabeth Houston Gallery
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Paper Size: 11 x14 inches

Paper Size: 11 x14 inches

Signature
Hand-signed by artist, Photographer's signature in pencil, annotated "30577 M2" in pencil on verso.
Frame
Not included
Marion Post Wolcott
American, 1910–1990
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Marion Wolcott is known for her candid documentary photographs taken for the Farm Security Administration (FSA) during America’s Great Depression. Joining Dorothea Lange, Walker Evans, and other photographers who produced iconic images for the FSA, Wolcott documented America’s staggering wealth inequalities, its race relations, the poverty and deprivation experienced during the Depression, and the benefits to the population of federal subsidies and programs. “As an FSA documentary photographer, I was committed to changing the attitudes of people by familiarizing America with the plight of the underprivileged, especially in rural America,” she once said. Along with images of coal miners, farmers harvesting tobacco fields, and affluent spectators at the races, Wolcott also captured moments of transcendence, such as in Jitterbugging (1939), an iconic image of African-Americans dancing in a club.

Save
Save
view
View in room
share
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Save
Save
view
View in room
share
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About the work
Elizabeth Houston Gallery
Follow

Paper Size: 11 x14 inches

Paper Size: 11 x14 inches

Signature
Hand-signed by artist, Photographer's signature in pencil, annotated "30577 M2" in pencil on verso.
Frame
Not included
Marion Post Wolcott
American, 1910–1990
Follow

Marion Wolcott is known for her candid documentary photographs taken for the Farm Security Administration (FSA) during America’s Great Depression. Joining Dorothea Lange, Walker Evans, and other photographers who produced iconic images for the FSA, Wolcott documented America’s staggering wealth inequalities, its race relations, the poverty and deprivation experienced during the Depression, and the benefits to the population of federal subsidies and programs. “As an FSA documentary photographer, I was committed to changing the attitudes of people by familiarizing America with the plight of the underprivileged, especially in rural America,” she once said. Along with images of coal miners, farmers harvesting tobacco fields, and affluent spectators at the races, Wolcott also captured moments of transcendence, such as in Jitterbugging (1939), an iconic image of African-Americans dancing in a club.

Man Entering Movie Theatre by 'Colored' Entrance, Belzoni, Mississippi, in the Delta Area, 1939

Silver gelatin print, printed later
8 1/4 × 12 in
21 × 30.5 cm
This is a unique work.
Contact For Price
Have a question? Read our FAQ.
Other works by Marion Post Wolcott
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