Mark Messersmith, ‘End of the Line’, 2019, Painting, Oil on canvas, carved wooden pediment, and mixed media predella, Valley House Gallery & Sculpture Garden
Save
Save
View
View in room
Share
Share

Mark Messersmith

End of the Line, 2019

Oil on canvas, carved wooden pediment, and mixed media predella
82 × 67 in
208.3 × 170.2 cm
.
$18,000
Have a question? Visit our help center.
About the work
Medium
Signature
Hand-signed by artist
Frame
Included
Mark Messersmith
American, b. 1955
Follow

Mark Messersmith’s work appropriates two radically different traditions, creating an idiosyncratic and imaginative visual lexicon uniquely its own. In his inventive symbolist paintings, Messersmith calls to mind illuminated medieval manuscripts and the compartmental assemblages of modernists such as Jasper Johns and Joseph Cornell. In works such as Those Left Behind (2013), the artist extends beyond the frame his central image of birds surveying man’s ruin. He also includes a small frieze of vignettes at the bottom and sculptural adornments at the frame’s edge. The works’ electric colors and complex graphic images are narrative and emotionally propulsive.

Mark Messersmith, ‘End of the Line’, 2019, Painting, Oil on canvas, carved wooden pediment, and mixed media predella, Valley House Gallery & Sculpture Garden
Save
Save
View
View in room
Share
Share
About the work
Medium
Signature
Hand-signed by artist
Frame
Included
Mark Messersmith
American, b. 1955
Follow

Mark Messersmith’s work appropriates two radically different traditions, creating an idiosyncratic and imaginative visual lexicon uniquely its own. In his inventive symbolist paintings, Messersmith calls to mind illuminated medieval manuscripts and the compartmental assemblages of modernists such as Jasper Johns and Joseph Cornell. In works such as Those Left Behind (2013), the artist extends beyond the frame his central image of birds surveying man’s ruin. He also includes a small frieze of vignettes at the bottom and sculptural adornments at the frame’s edge. The works’ electric colors and complex graphic images are narrative and emotionally propulsive.

Mark Messersmith

End of the Line, 2019

Oil on canvas, carved wooden pediment, and mixed media predella
82 × 67 in
208.3 × 170.2 cm
.
$18,000
Have a question? Visit our help center.
Other works from Mark Messersmith: The Weight of Everything
Other works by Mark Messersmith
Other works from Valley House Gallery & Sculpture Garden
Related works
Most Similar