Mark Rothko, ‘No. 14, 1960’, 1960, San Francisco Museum of Modern Art (SFMOMA)

San Francisco Museum of Modern Art, Helen Crocker Russell Fund purchase

About Mark Rothko

Mark Rothko’s search to express profound emotion through painting culminated in his now-signature compositions of richly colored squares filling large canvases, evoking what he referred to as “the sublime.” One of the pioneers of Color Field Painting, Rothko’s abstract arrangements of shapes, ranging from the slightly surreal biomorphic ones in his early works to the dark squares and rectangles in later years, are intended to evoke the metaphysical through viewers’ communion with the canvas in a controlled setting. “I'm not an abstractionist,” he once said. “I'm interested only in expressing basic human emotions: tragedy, ecstasy, doom, and so on.” His “Rothko Chapel Paintings” (1964-1967), 14 wall-sized monochromatic black paintings installed in a non-denominational church in Houston, Texas, represent the realization of Rothko’s desire that his work be viewed in close quarters.

American, 1903-1970, Dvinsk, Russia, based in New York, New York

Solo Shows on Artsy

Mark Rothko: Dark Palette, Pace Gallery, New York

Group Shows on Artsy

Abstract Expressionism, Royal Academy of Arts, London
Big Picture: Art After 1945, Seattle Art Museum, Seattle
Keys to a Passion, Fondation Louis Vuitton, Paris
Leeum Collection: Beyond Space, Leeum, Samsung Museum of Art, Seoul