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Mark Rothko, ‘No. 36 (Black Stripe)’, 1958, Christie's
Mark Rothko, ‘No. 36 (Black Stripe)’, 1958, Christie's
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Mark Rothko

No. 36 (Black Stripe), 1958

Oil on canvas
61 9/10 × 67 in
157.1 × 170.1 cm
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About the work
Exhibition history
Bibliography
Provenance
C
Christie's
Signature
Signed, titled and dated 'MARK ROTHKO #36 - 1958' (on the reverse)
Mark Rothko
American, 1903–1970
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Mark Rothko’s search to express profound emotion through painting culminated in his now-signature compositions of richly colored squares filling large canvases, evoking what he referred to as “the sublime.” One of the pioneers of Color Field Painting, Rothko’s abstract arrangements of shapes, ranging from the slightly surreal biomorphic ones in his early works to the dark squares and rectangles in later years, are intended to evoke the metaphysical through viewers’ communion with the canvas in a controlled setting. “I'm not an abstractionist,” he once said. “I'm interested only in expressing basic human emotions: tragedy, ecstasy, doom, and so on.” His “Rothko Chapel Paintings” (1964-1967), 14 wall-sized monochromatic black paintings installed in a non-denominational church in Houston, Texas, represent the realization of Rothko’s desire that his work be viewed in close quarters.

Mark Rothko, ‘No. 36 (Black Stripe)’, 1958, Christie's
Mark Rothko, ‘No. 36 (Black Stripe)’, 1958, Christie's
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
Exhibition history
Bibliography
Provenance
C
Christie's
Signature
Signed, titled and dated 'MARK ROTHKO #36 - 1958' (on the reverse)
Mark Rothko
American, 1903–1970
Follow

Mark Rothko’s search to express profound emotion through painting culminated in his now-signature compositions of richly colored squares filling large canvases, evoking what he referred to as “the sublime.” One of the pioneers of Color Field Painting, Rothko’s abstract arrangements of shapes, ranging from the slightly surreal biomorphic ones in his early works to the dark squares and rectangles in later years, are intended to evoke the metaphysical through viewers’ communion with the canvas in a controlled setting. “I'm not an abstractionist,” he once said. “I'm interested only in expressing basic human emotions: tragedy, ecstasy, doom, and so on.” His “Rothko Chapel Paintings” (1964-1967), 14 wall-sized monochromatic black paintings installed in a non-denominational church in Houston, Texas, represent the realization of Rothko’s desire that his work be viewed in close quarters.

Mark Rothko

No. 36 (Black Stripe), 1958

Oil on canvas
61 9/10 × 67 in
157.1 × 170.1 cm
Want to sell a work by this artist? Consign with Artsy.
Related works
Most Similar
Abstract Expressionism