Mark Rothko, ‘Untitled’, Christie's

Mark Rothko (1903-1970)


stamped with the Mark Rothko Estate stamp (on the reverse)

acrylic on paper laid down on board

39 1/8 x 25 1/2 in. (99.3 x 64.7 cm.)

Painted in 1969.

Signature: stamped with the Mark Rothko Estate stamp (on the reverse)

New York, Marisa del Re Gallery, Selected Works on Paper, March-April 1982.

Annandale-on-Hudson, New York, Bard College, Edith C. Blum Art Gallery, On Paper, April-May 1982.

Marlborough Galleria d'Arte, Rome

Marisa del Re Gallery, New York

The Greenberg Gallery, St. Louis

Rosenberg Fine Arts Ltd., Toronto

Private collection, Geneva

Anon. sale; Sotheby's, London, 23 June 1999, lot 50

Acquired at the above sale by the present owner

About Mark Rothko

Mark Rothko’s search to express profound emotion through painting culminated in his now-signature compositions of richly colored squares filling large canvases, evoking what he referred to as “the sublime.” One of the pioneers of Color Field Painting, Rothko’s abstract arrangements of shapes, ranging from the slightly surreal biomorphic ones in his early works to the dark squares and rectangles in later years, are intended to evoke the metaphysical through viewers’ communion with the canvas in a controlled setting. “I'm not an abstractionist,” he once said. “I'm interested only in expressing basic human emotions: tragedy, ecstasy, doom, and so on.” His “Rothko Chapel Paintings” (1964-1967), 14 wall-sized monochromatic black paintings installed in a non-denominational church in Houston, Texas, represent the realization of Rothko’s desire that his work be viewed in close quarters.

American, 1903-1970, Dvinsk, Russia, based in New York, New York