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Markus Lüpertz

Männer ohne Frauen - Parzival (from the portfolio "Für die Pinakothek der Moderne"), 1995

Etching (dry-point, sugarlift)
31 1/2 × 23 3/5 in
80 × 60 cm
Edition of 98
This is part of a limited edition set.
Contact For Price
location
Munich
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About the work
Galerie Klüser
Munich
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Together with Edition Sabine Knust the portfolio „Für die Pinakothek der Moderne“ was published in …

Read more

Together with Edition Sabine Knust the portfolio „Für die Pinakothek der Moderne“ was published in 1994 in order to support the new museum building in Munich.

Medium
Print
Signature
Hand-signed by artist, recto signed and numbered
Publisher
Galerie Klüser
Markus Lüpertz
German, b. 1941
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Markus Lüpertz is known for his expressively rendered paintings and sculptures, which often merge abstraction and representation. His career first gained traction in the early 1960s, and he was the head of the Düsseldorf Art Academy, one of Germany’s most acclaimed art schools, for 22 years. In his work, Lüpertz combines references to popular culture, biblical and mythological themes and protagonists, and his country’s history and culture, including the Nazi era. His series of paintings of military helmets and other wartime symbols caused controversy in the 1970s, initiating a fraught relationship between him and the viewing public. “You cannot understand the artist in his time, you can only love or hate him,” Lüpertz has said.

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About the work
Galerie Klüser
Munich
Follow

Together with Edition Sabine Knust the portfolio „Für die Pinakothek der Moderne“ was published in …

Read more

Together with Edition Sabine Knust the portfolio „Für die Pinakothek der Moderne“ was published in 1994 in order to support the new museum building in Munich.

Medium
Print
Signature
Hand-signed by artist, recto signed and numbered
Publisher
Galerie Klüser
Markus Lüpertz
German, b. 1941
Follow

Markus Lüpertz is known for his expressively rendered paintings and sculptures, which often merge abstraction and representation. His career first gained traction in the early 1960s, and he was the head of the Düsseldorf Art Academy, one of Germany’s most acclaimed art schools, for 22 years. In his work, Lüpertz combines references to popular culture, biblical and mythological themes and protagonists, and his country’s history and culture, including the Nazi era. His series of paintings of military helmets and other wartime symbols caused controversy in the 1970s, initiating a fraught relationship between him and the viewing public. “You cannot understand the artist in his time, you can only love or hate him,” Lüpertz has said.

Markus Lüpertz

Männer ohne Frauen - Parzival (from the portfolio "Für die Pinakothek der Moderne"), 1995

Etching (dry-point, sugarlift)
31 1/2 × 23 3/5 in
80 × 60 cm
Edition of 98
This is part of a limited edition set.
Contact For Price
location
Munich
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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