Markus Lüpertz, ‘Ohne Titel - Rückenakt (Untitled - Nude from behind)’, 2005, Drawing, Collage or other Work on Paper, Gouache, acrylic and charcoal on paper, Jahn und Jahn
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Markus Lüpertz

Ohne Titel - Rückenakt (Untitled - Nude from behind), 2005

Gouache, acrylic and charcoal on paper
33 7/10 × 24 in
85.5 × 61 cm
.
Contact For Price
Location
Munich
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About the work
Medium
Signature
Monogram on the recto
Image rights
© VG Bild-Kunst, Bonn; Courtesy Galerie Jahn, Munich
Markus Lüpertz
German, b. 1941
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Markus Lüpertz is known for his expressively rendered paintings and sculptures, which often merge abstraction and representation. His career first gained traction in the early 1960s, and he was the head of the Düsseldorf Art Academy, one of Germany’s most acclaimed art schools, for 22 years. In his work, Lüpertz combines references to popular culture, biblical and mythological themes and protagonists, and his country’s history and culture, including the Nazi era. His series of paintings of military helmets and other wartime symbols caused controversy in the 1970s, initiating a fraught relationship between him and the viewing public. “You cannot understand the artist in his time, you can only love or hate him,” Lüpertz has said.

Markus Lüpertz, ‘Ohne Titel - Rückenakt (Untitled - Nude from behind)’, 2005, Drawing, Collage or other Work on Paper, Gouache, acrylic and charcoal on paper, Jahn und Jahn
Save
Save
View
View in room
Share
Share
About the work
Medium
Signature
Monogram on the recto
Image rights
© VG Bild-Kunst, Bonn; Courtesy Galerie Jahn, Munich
Markus Lüpertz
German, b. 1941
Follow

Markus Lüpertz is known for his expressively rendered paintings and sculptures, which often merge abstraction and representation. His career first gained traction in the early 1960s, and he was the head of the Düsseldorf Art Academy, one of Germany’s most acclaimed art schools, for 22 years. In his work, Lüpertz combines references to popular culture, biblical and mythological themes and protagonists, and his country’s history and culture, including the Nazi era. His series of paintings of military helmets and other wartime symbols caused controversy in the 1970s, initiating a fraught relationship between him and the viewing public. “You cannot understand the artist in his time, you can only love or hate him,” Lüpertz has said.

Markus Lüpertz

Ohne Titel - Rückenakt (Untitled - Nude from behind), 2005

Gouache, acrylic and charcoal on paper
33 7/10 × 24 in
85.5 × 61 cm
.
Contact For Price
Location
Munich
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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