Marlene Dumas, ‘Faceless’, 1993, Léna & Roselli Gallery
Marlene Dumas, ‘Faceless’, 1993, Léna & Roselli Gallery
Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share

Marlene Dumas

Faceless, 1993

Serigraphy
11 2/5 × 7 9/10 in
29 × 20 cm
This is an editioned multiple.
Sold
location
Budapest
Want to sell a work by this artist? Learn more.
About the work
Léna & Roselli Gallery
Budapest
Follow

Framed - with silver plated frame

Framed - with silver plated frame

Series
188/200
Signature
Right down - m. Dumas
Marlene Dumas
South African, b. 1953
Follow

Widely known for the gestural quality and austerity of her oil and watercolor paintings, Marlene …

Read more

Widely known for the gestural quality and austerity of her oil and watercolor paintings, Marlene Dumas’s work confronts difficult themes from pornography to segregation. Her figurative paintings often depict nude bodies engaged in amorous acts, some of them erotic, some disconcerting. By playing with perspective and …

Read more
Marlene Dumas, ‘Faceless’, 1993, Léna & Roselli Gallery
Marlene Dumas, ‘Faceless’, 1993, Léna & Roselli Gallery
Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Léna & Roselli Gallery
Budapest
Follow

Framed - with silver plated frame

Framed - with silver plated frame

Series
188/200
Signature
Right down - m. Dumas
Marlene Dumas
South African, b. 1953
Follow

Widely known for the gestural quality and austerity of her oil and watercolor paintings, Marlene …

Read more

Widely known for the gestural quality and austerity of her oil and watercolor paintings, Marlene Dumas’s work confronts difficult themes from pornography to segregation. Her figurative paintings often depict nude bodies engaged in amorous acts, some of them erotic, some disconcerting. By playing with perspective and …

Read more

Marlene Dumas

Faceless, 1993

Serigraphy
11 2/5 × 7 9/10 in
29 × 20 cm
This is an editioned multiple.
Sold
location
Budapest
Want to sell a work by this artist? Learn more.