Save
Save
share
Share
Save
Save
share
Share

Figura in blu - Figure in bleu, 1960

Oil on canvas
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
About the work
Exhibition history
Bibliography
Provenance
IP
Il Ponte

cm 81x57

Certificate of authenticity of photograph by Archive Massimo Campigli edited by Nicola …

Read more

cm 81x57

Certificate of authenticity of photograph by Archive Massimo Campigli edited by Nicola Campigli, Saint Tropez, on 11/15/1987, with n.871115374

Signature
Signed and titled 60 lower right
Massimo Campigli
Italian, 1895–1971
Follow

Massimo Campigli began his career as a journalist, writing for Futurist and Avant-garde magazines in Italy in the 1910s. After being taken as a prisoner of war during World War I, Campigli served as a foreign correspondent in Paris in 1919 before joining the “Paris Italians” artist group, which also included the Futurist Gino Severini and the Pittura Metafisica painter Giorgio de Chirico. Campigli began depicting almond-eyed, frozen figures in 1928 when a trip to Rome’s Villa Giulia left the artist fascinated with Etruscan Art—the art produced in Italy between the 9th and 2nd centuries BCE. His most iconic works—pale, fresco-like paintings of women—mirrored a broader European revival of Ancient art as a response to the horrors of World War I.

Save
Save
share
Share
Save
Save
share
Share
About the work
Exhibition history
Bibliography
Provenance
IP
Il Ponte

cm 81x57

Certificate of authenticity of photograph by Archive Massimo Campigli edited by Nicola …

Read more

cm 81x57

Certificate of authenticity of photograph by Archive Massimo Campigli edited by Nicola Campigli, Saint Tropez, on 11/15/1987, with n.871115374

Signature
Signed and titled 60 lower right
Massimo Campigli
Italian, 1895–1971
Follow

Massimo Campigli began his career as a journalist, writing for Futurist and Avant-garde magazines in Italy in the 1910s. After being taken as a prisoner of war during World War I, Campigli served as a foreign correspondent in Paris in 1919 before joining the “Paris Italians” artist group, which also included the Futurist Gino Severini and the Pittura Metafisica painter Giorgio de Chirico. Campigli began depicting almond-eyed, frozen figures in 1928 when a trip to Rome’s Villa Giulia left the artist fascinated with Etruscan Art—the art produced in Italy between the 9th and 2nd centuries BCE. His most iconic works—pale, fresco-like paintings of women—mirrored a broader European revival of Ancient art as a response to the horrors of World War I.

Figura in blu - Figure in bleu, 1960

Oil on canvas
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by Massimo Campigli