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La Passeggiata, 1952

Color lithograph on paper
17 × 12 7/8 in
43.2 × 32.7 cm
Bidding closed
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About the work
S
Skinner

Italian

Framed.

Edition of 200, published by Guilde de la Gravure, Paris. Signed and dated …

Read more

Italian

Framed.

Edition of 200, published by Guilde de la Gravure, Paris. Signed and dated "CAMPIGLI 52" in pencil l.l. numbered "14/200 168" in pencil l.r.

Condition: Not examined out of frame.

Items may have wear and tear, imperfections, or the effects of aging. Any condition statement given, …

Read more
Massimo Campigli
Italian, 1895–1971
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Massimo Campigli began his career as a journalist, writing for Futurist and Avant-garde magazines in Italy in the 1910s. After being taken as a prisoner of war during World War I, Campigli served as a foreign correspondent in Paris in 1919 before joining the “Paris Italians” artist group, which also included the Futurist Gino Severini and the Pittura Metafisica painter Giorgio de Chirico. Campigli began depicting almond-eyed, frozen figures in 1928 when a trip to Rome’s Villa Giulia left the artist fascinated with Etruscan Art—the art produced in Italy between the 9th and 2nd centuries BCE. His most iconic works—pale, fresco-like paintings of women—mirrored a broader European revival of Ancient art as a response to the horrors of World War I.

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View in room
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Save
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About the work
S
Skinner

Italian

Framed.

Edition of 200, published by Guilde de la Gravure, Paris. Signed and dated …

Read more

Italian

Framed.

Edition of 200, published by Guilde de la Gravure, Paris. Signed and dated "CAMPIGLI 52" in pencil l.l. numbered "14/200 168" in pencil l.r.

Condition: Not examined out of frame.

Items may have wear and tear, imperfections, or the effects of aging. Any condition statement given, …

Read more
Massimo Campigli
Italian, 1895–1971
Follow

Massimo Campigli began his career as a journalist, writing for Futurist and Avant-garde magazines in Italy in the 1910s. After being taken as a prisoner of war during World War I, Campigli served as a foreign correspondent in Paris in 1919 before joining the “Paris Italians” artist group, which also included the Futurist Gino Severini and the Pittura Metafisica painter Giorgio de Chirico. Campigli began depicting almond-eyed, frozen figures in 1928 when a trip to Rome’s Villa Giulia left the artist fascinated with Etruscan Art—the art produced in Italy between the 9th and 2nd centuries BCE. His most iconic works—pale, fresco-like paintings of women—mirrored a broader European revival of Ancient art as a response to the horrors of World War I.

La Passeggiata, 1952

Color lithograph on paper
17 × 12 7/8 in
43.2 × 32.7 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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