Massimo Listri, ‘Castello di Rivoli II’, 2007, Photography, Vintage c-print applied on alluminium, Finarte
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Massimo Listri

Castello di Rivoli II, 2007

Vintage c-print applied on alluminium
59 1/10 × 73 in
150 × 185.5 cm
Bidding closed
F
Finarte

59.2 x 73 in. / cm 150 x 185,5

Edition Artist’s proof, unique work in this size. The work is …

Medium
Massimo Listri
Italian, b. 1954
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Massimo Listri travels his native Italy and the world with his camera, photographing grand interior spaces both iconic and unexpected. His large-scale color prints invite viewers into the settings he frames; these include ancient castles, villas, palaces, gardens, libraries, convents, monasteries, and universities. He has taken viewers into the ornate hallways of Versailles, as well as the treasure-laden galleries of the Vatican museums. From Brazil, he brought back images taken at art museums, a cathedral, and a theater designed by Oscar Niemeyer, among many other architecturally iconic sites. Though Listri focuses on the grand, he has also homed in on details in an expressive series of closely framed photographs of sculpted faces. Captured frontally or in profile, these carved faces range from grotesque to idealized and serve to celebrate the power of the artist’s hand.

Massimo Listri, ‘Castello di Rivoli II’, 2007, Photography, Vintage c-print applied on alluminium, Finarte
Save
Save
View
View in room
Share
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F
Finarte

59.2 x 73 in. / cm 150 x 185,5

Edition Artist’s proof, unique work in this size. The work is accompanied with a Certificate of authenticity relaeased by the photographer.

This lot is subject to Artists Resale Rights

Medium
Massimo Listri
Italian, b. 1954
Follow

Massimo Listri travels his native Italy and the world with his camera, photographing grand interior spaces both iconic and unexpected. His large-scale color prints invite viewers into the settings he frames; these include ancient castles, villas, palaces, gardens, libraries, convents, monasteries, and universities. He has taken viewers into the ornate hallways of Versailles, as well as the treasure-laden galleries of the Vatican museums. From Brazil, he brought back images taken at art museums, a cathedral, and a theater designed by Oscar Niemeyer, among many other architecturally iconic sites. Though Listri focuses on the grand, he has also homed in on details in an expressive series of closely framed photographs of sculpted faces. Captured frontally or in profile, these carved faces range from grotesque to idealized and serve to celebrate the power of the artist’s hand.

Massimo Listri

Castello di Rivoli II, 2007

Vintage c-print applied on alluminium
59 1/10 × 73 in
150 × 185.5 cm
Bidding closed
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