Mathias Goeritz, ‘Dos Cubos y Esfera (three works)’, c. 1961, Sculpture, Gold leaf on wood, Rago/Wright
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Mathias Goeritz

Dos Cubos y Esfera (three works), c. 1961

Gold leaf on wood
5 × 5 × 5 in
12.7 × 12.7 × 12.7 cm
Bidding closed
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RW
Rago/Wright

Each cube is sold with a copy of a certificate of authenticity issued by Dr. Lily Kassner.

Medium
Signature
Initialed to underside of each example 'mg'.
Mathias Goeritz
Mexican, 1915–1990
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A critical figure in the development of modern art in postwar Latin America, Mathias Goeritz developed the principle of “emotional architecture.” The unique perspective considers spaces and objects that are produced to elicit empathy and celebrates collaboration rather than functionalism and individual authorship. After emigrating to Mexico from Spain in 1949, Goeritz opened the Museo Experimental El Eco. The institution served as the embodiment of these principles, facilitating collaboration and expanding upon existing notions of patronage. Best known for large-scale, totemic sculptures like Moses and Heads, Goeritz worked in a style that prefigured Minimalism by 10 years. With its elongated, angular, rising and falling form, Goeritz’s sculpture La Serpiente de El Eco (The Serpent of the Echo) best embodies his artistic style.

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Mathias Goeritz, ‘Dos Cubos y Esfera (three works)’, c. 1961, Sculpture, Gold leaf on wood, Rago/Wright
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Save
Save
Share
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RW
Rago/Wright

Each cube is sold with a copy of a certificate of authenticity issued by Dr. Lily Kassner.

Medium
Signature
Initialed to underside of each example 'mg'.
Mathias Goeritz
Mexican, 1915–1990
Follow

A critical figure in the development of modern art in postwar Latin America, Mathias Goeritz developed the principle of “emotional architecture.” The unique perspective considers spaces and objects that are produced to elicit empathy and celebrates collaboration rather than functionalism and individual authorship. After emigrating to Mexico from Spain in 1949, Goeritz opened the Museo Experimental El Eco. The institution served as the embodiment of these principles, facilitating collaboration and expanding upon existing notions of patronage. Best known for large-scale, totemic sculptures like Moses and Heads, Goeritz worked in a style that prefigured Minimalism by 10 years. With its elongated, angular, rising and falling form, Goeritz’s sculpture La Serpiente de El Eco (The Serpent of the Echo) best embodies his artistic style.

Mathias Goeritz

Dos Cubos y Esfera (three works), c. 1961

Gold leaf on wood
5 × 5 × 5 in
12.7 × 12.7 × 12.7 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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