Matthew Day Jackson, ‘Das Wochenendhaus from The Dymaxion Series’, 2007, Phillips
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Das Wochenendhaus from The Dymaxion Series, 2007

The complete set of 16 prints, comprised of etching, archival inkjet, screenprint, lithographs, and C-Print in colors, on Hahnemühle Copperplate, Durotone Newsprint Aged and photo paper, the full sheets, the C-print mounted to board (as issued)
Edition 30/35 + 5AP
This is part of a limited edition set.
Bidding closed
About the work
P
Phillips

Property from a Private Canadian Collection

Eleven Sheet: 10 3/4 x 8 1/4 in. (27.3 x 21 cm);
Three …

Medium
Print
Signature
All signed (15 with initials), one titled, dated, all sequentially annotated A-P and numbered 30/35 in pencil or ink on the reverse (there …
Matthew Day Jackson
American, b. 1974
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Matthew Day Jackson creates all-encompassing works in a wide range of media that make connections between seemingly disparate themes and narratives, from Impressionist painting to the surface of the moon; art history to rap music; nuclear testing to paranormal activity. Jackson’s work also addresses his theory of the "Horriful,” the belief that everything one does has the potential to evoke both beauty and horror at the same time. In Jackson’s mixed-media sculptures, installations and assemblages, history does not follow a linear progression, but exists in and alongside the present.

Matthew Day Jackson, ‘Das Wochenendhaus from The Dymaxion Series’, 2007, Phillips
Save
Save
Share
Share
About the work
P
Phillips

Property from a Private Canadian Collection

Eleven Sheet: 10 3/4 x 8 1/4 in. (27.3 x 21 cm);
Three Sheet: 24 x 35 1/8 in. (61 x 89.2 cm);
One Sheet: 25 1/2 x 21 3/8 in. (64.8 x 54.3 cm);
One Sheet: 19 5/8 x 28 5/8 in. (49.8 x 72.7 cm)
All unframed

Medium
Print
Signature
All signed (15 with initials), one titled, dated, all sequentially annotated A-P and numbered 30/35 in pencil or ink on the reverse (there …
Matthew Day Jackson
American, b. 1974
Follow

Matthew Day Jackson creates all-encompassing works in a wide range of media that make connections between seemingly disparate themes and narratives, from Impressionist painting to the surface of the moon; art history to rap music; nuclear testing to paranormal activity. Jackson’s work also addresses his theory of the "Horriful,” the belief that everything one does has the potential to evoke both beauty and horror at the same time. In Jackson’s mixed-media sculptures, installations and assemblages, history does not follow a linear progression, but exists in and alongside the present.

Das Wochenendhaus from The Dymaxion Series, 2007

The complete set of 16 prints, comprised of etching, archival inkjet, screenprint, lithographs, and C-Print in colors, on Hahnemühle Copperplate, Durotone Newsprint Aged and photo paper, the full sheets, the C-print mounted to board (as issued)
Edition 30/35 + 5AP
This is part of a limited edition set.
Bidding closed
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