Matthew Day Jackson, ‘Das Wochenendhaus from The Dymaxion Series’, 2007, Phillips

Property from a Private Canadian Collection

Eleven Sheet: 10 3/4 x 8 1/4 in. (27.3 x 21 cm);
Three Sheet: 24 x 35 1/8 in. (61 x 89.2 cm);
One Sheet: 25 1/2 x 21 3/8 in. (64.8 x 54.3 cm);
One Sheet: 19 5/8 x 28 5/8 in. (49.8 x 72.7 cm)
All unframed

Signature: All signed (15 with initials), one titled, dated, all sequentially annotated A-P and numbered 30/35 in pencil or ink on the reverse (there were also 5 artist's proofs)

About Matthew Day Jackson

Matthew Day Jackson creates all-encompassing works in a wide range of media that make connections between seemingly disparate themes and narratives, from Impressionist painting to the surface of the moon; art history to rap music; nuclear testing to paranormal activity. Jackson’s work also addresses his theory of the "Horriful,” the belief that everything one does has the potential to evoke both beauty and horror at the same time. In Jackson’s mixed-media sculptures, installations and assemblages, history does not follow a linear progression, but exists in and alongside the present.

American, b. 1974, Panorama City, California, based in Brooklyn, New York

Solo Shows

Matthew Day Jackson. Still Life and the Reclining Nude
Core and Strip

Group Shows

New York,
Portable Art: A Project by Celia Forner