Matthew Day Jackson, ‘Flowers in a sculpted vase ’, ca. 2019, Painting, Formica, silkscreen, acrylic paint on epoxy resin, oil paint, lead on panel, stainless steel frame, Hauser & Wirth
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Matthew Day Jackson

Flowers in a sculpted vase , ca. 2019

Formica, silkscreen, acrylic paint on epoxy resin, oil paint, lead on panel, stainless steel frame
36 7/8 × 27 7/8 × 2 in
93.7 × 70.8 × 5.1 cm
.
$70,000
Location
New York, Los Angeles, Zurich, London, Somerset, Central, St. Moritz, Zürich, Gstaad, Southampton
Have a question? Visit our help center.
Medium
Signature
Hand-signed by artist, Verso signed, dated and titled
Frame
Included
Matthew Day Jackson
American, b. 1974
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Matthew Day Jackson creates all-encompassing works in a wide range of media that make connections between seemingly disparate themes and narratives, from Impressionist painting to the surface of the moon; art history to rap music; nuclear testing to paranormal activity. Jackson’s work also addresses his theory of the "Horriful,” the belief that everything one does has the potential to evoke both beauty and horror at the same time. In Jackson’s mixed-media sculptures, installations and assemblages, history does not follow a linear progression, but exists in and alongside the present.

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Matthew Day Jackson, ‘Flowers in a sculpted vase ’, ca. 2019, Painting, Formica, silkscreen, acrylic paint on epoxy resin, oil paint, lead on panel, stainless steel frame, Hauser & Wirth
Navigate right
Save
Save
Share
Share
Medium
Signature
Hand-signed by artist, Verso signed, dated and titled
Frame
Included
Matthew Day Jackson
American, b. 1974
Follow

Matthew Day Jackson creates all-encompassing works in a wide range of media that make connections between seemingly disparate themes and narratives, from Impressionist painting to the surface of the moon; art history to rap music; nuclear testing to paranormal activity. Jackson’s work also addresses his theory of the "Horriful,” the belief that everything one does has the potential to evoke both beauty and horror at the same time. In Jackson’s mixed-media sculptures, installations and assemblages, history does not follow a linear progression, but exists in and alongside the present.

Matthew Day Jackson

Flowers in a sculpted vase , ca. 2019

Formica, silkscreen, acrylic paint on epoxy resin, oil paint, lead on panel, stainless steel frame
36 7/8 × 27 7/8 × 2 in
93.7 × 70.8 × 5.1 cm
.
$70,000
Location
New York, Los Angeles, Zurich, London, Somerset, Central, St. Moritz, Zürich, Gstaad, Southampton
Have a question? Visit our help center.
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