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Metamorphosis, 2007

The complete set of seven prints, including aquatints, etchings, screenprints and archival inkjets in colors with gold leaf and hand additions, on various papers, the full sheets and with full margins
73 × 154 in
185.4 × 391.2 cm
Edition 12/16 + 4AP
This is part of a limited edition set.
Bidding closed
About the work
P
Phillips

Property from a Private Canadian Collection

Overall 73 x 154 in. (185.4 x 391.2 cm)
All framed

Property from a Private Canadian Collection

Overall 73 x 154 in. (185.4 x 391.2 cm)
All framed

Signature
One signed, titled, dated `2007', all annotated `A-G' respectively and numbered 12/16 in pencil (there were also 4 artist's proofs)
Publisher
Lower East Side Printshop, New York (with their blindstamp)
Matthew Day Jackson
American, b. 1974
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Matthew Day Jackson creates all-encompassing works in a wide range of media that make connections between seemingly disparate themes and narratives, from Impressionist painting to the surface of the moon; art history to rap music; nuclear testing to paranormal activity. Jackson’s work also addresses his theory of the "Horriful,” the belief that everything one does has the potential to evoke both beauty and horror at the same time. In Jackson’s mixed-media sculptures, installations and assemblages, history does not follow a linear progression, but exists in and alongside the present.

Save
Save
view
View in room
share
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Save
Save
view
View in room
share
Share
About the work
P
Phillips

Property from a Private Canadian Collection

Overall 73 x 154 in. (185.4 x 391.2 cm)
All framed

Property from a Private Canadian Collection

Overall 73 x 154 in. (185.4 x 391.2 cm)
All framed

Signature
One signed, titled, dated `2007', all annotated `A-G' respectively and numbered 12/16 in pencil (there were also 4 artist's proofs)
Publisher
Lower East Side Printshop, New York (with their blindstamp)
Matthew Day Jackson
American, b. 1974
Follow

Matthew Day Jackson creates all-encompassing works in a wide range of media that make connections between seemingly disparate themes and narratives, from Impressionist painting to the surface of the moon; art history to rap music; nuclear testing to paranormal activity. Jackson’s work also addresses his theory of the "Horriful,” the belief that everything one does has the potential to evoke both beauty and horror at the same time. In Jackson’s mixed-media sculptures, installations and assemblages, history does not follow a linear progression, but exists in and alongside the present.

Metamorphosis, 2007

The complete set of seven prints, including aquatints, etchings, screenprints and archival inkjets in colors with gold leaf and hand additions, on various papers, the full sheets and with full margins
73 × 154 in
185.4 × 391.2 cm
Edition 12/16 + 4AP
This is part of a limited edition set.
Bidding closed
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