Matthew Day Jackson, ‘Untitled’, 2009, International Studio & Curatorial Program Benefit Auction
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Matthew Day Jackson

Untitled, 2009

Screen print and intaglio
19 7/10 × 22 4/5 in
50 × 58 cm
Edition 16/25
.
Bidding closed
About the work
International Studio & Curatorial Program Benefit Auction

This black and white print features an x-ray like image of a human cranium with a full set of …

Medium
Signature
Signed
Matthew Day Jackson
American, b. 1974
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Matthew Day Jackson creates all-encompassing works in a wide range of media that make connections between seemingly disparate themes and narratives, from Impressionist painting to the surface of the moon; art history to rap music; nuclear testing to paranormal activity. Jackson’s work also addresses his theory of the "Horriful,” the belief that everything one does has the potential to evoke both beauty and horror at the same time. In Jackson’s mixed-media sculptures, installations and assemblages, history does not follow a linear progression, but exists in and alongside the present.

Matthew Day Jackson, ‘Untitled’, 2009, International Studio & Curatorial Program Benefit Auction
Save
Save
View
View in room
Share
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About the work
International Studio & Curatorial Program Benefit Auction

This black and white print features an x-ray like image of a human cranium with a full set of teeth, transversed by a tree branch and metal hook and eye latches. The top interior part of the head, where the eyes would typically be located, is filled with what seems to be a dense forest landscape. These visual elements …

Medium
Signature
Signed
Matthew Day Jackson
American, b. 1974
Follow

Matthew Day Jackson creates all-encompassing works in a wide range of media that make connections between seemingly disparate themes and narratives, from Impressionist painting to the surface of the moon; art history to rap music; nuclear testing to paranormal activity. Jackson’s work also addresses his theory of the "Horriful,” the belief that everything one does has the potential to evoke both beauty and horror at the same time. In Jackson’s mixed-media sculptures, installations and assemblages, history does not follow a linear progression, but exists in and alongside the present.

Matthew Day Jackson

Untitled, 2009

Screen print and intaglio
19 7/10 × 22 4/5 in
50 × 58 cm
Edition 16/25
.
Bidding closed
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