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Maurice Utrillo

Eglise de Domrémy (Vosges), 1937

Oil on canvas
13 2/5 × 18 1/2 in
34 × 47 cm
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About the work
Provenance
IP
Il Ponte

cm 34x47
Signed and dated 1937 lower right

This work is accompanied by a photo-certificate issued by …

Read more

cm 34x47
Signed and dated 1937 lower right

This work is accompanied by a photo-certificate issued by Paul Petridés, Paris, 1979

The Association Maurice Utrillo has kindly confirmed the authenticity for this work

Maurice Utrillo
French, 1883–1955
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Maurice Utrillo produced thousands of oil paintings, mainly of street scenes in the Montmartre district of Paris. He is best known for his White Period (1909–14), during which he used white zinc, sometimes mixed with plaster, to convey the aging walls and deteriorating houses of his cityscapes. Socially withdrawn and a recovering alcoholic, Utrillo would often work from tourist postcards to produce his work. Critics have linked Utrillo’s urban and rural views to the legacy of 18th-century Venetian artist Francesco Guardi and 19th-century French landscapist Jean-Baptiste-Camille Corot.

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view
View in room
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Save
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view
View in room
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About the work
Provenance
IP
Il Ponte

cm 34x47
Signed and dated 1937 lower right

This work is accompanied by a photo-certificate issued by …

Read more

cm 34x47
Signed and dated 1937 lower right

This work is accompanied by a photo-certificate issued by Paul Petridés, Paris, 1979

The Association Maurice Utrillo has kindly confirmed the authenticity for this work

Maurice Utrillo
French, 1883–1955
Follow

Maurice Utrillo produced thousands of oil paintings, mainly of street scenes in the Montmartre district of Paris. He is best known for his White Period (1909–14), during which he used white zinc, sometimes mixed with plaster, to convey the aging walls and deteriorating houses of his cityscapes. Socially withdrawn and a recovering alcoholic, Utrillo would often work from tourist postcards to produce his work. Critics have linked Utrillo’s urban and rural views to the legacy of 18th-century Venetian artist Francesco Guardi and 19th-century French landscapist Jean-Baptiste-Camille Corot.

Maurice Utrillo

Eglise de Domrémy (Vosges), 1937

Oil on canvas
13 2/5 × 18 1/2 in
34 × 47 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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