Max Ernst, ‘Andre Breton, La Femme 100 têtes, éditions du Carrefour, Paris, 1929’, Christie's

Text in French, copy of 63 of 88 on this paper (the total edition was 1003), with original blue printed wrappers. 9 7/8 x 7 5/8 in. (250 x 195 mm.).

Werner Bokelberg Collection

About Max Ernst

Closely associated with Dada and Surrealism, Max Ernst made paintings, sculptures, and prints depicting fantastic, nightmarish images that often made reference to anxieties originating in childhood. Ernst demonstrated a profound interest in Freudian psychoanalysis, which is apparent in his exploration of Automatism and his invention of the Frottage technique. The artist’s psychoanalytic leanings are evident in his iconic 1923 work Pietà, or Revolution by Night, in which Ernst substitutes the image of Mary cradling the body of Christ with a depiction of the artist himself held by his father. Much of the artist’s work defied societal norms, Christian morality, and the aesthetic standards of Western academic art.

French-American, b. Germany, 1891-1976, Brühl, nr Cologne, Germany