Max Ernst, ‘Au rendez-vous des amis, 1922: Aragon, Breton, Baargeld, De Chirico, Eluard, Desnos, Soupault, Dostoyevsky, Paulhan, Perst, Arp, Ernst, Morise, Fraenkel, Raphael’, 1922, Painting, Oil on on canvas, Art Resource
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Max Ernst

Au rendez-vous des amis, 1922: Aragon, Breton, Baargeld, De Chirico, Eluard, Desnos, Soupault, Dostoyevsky, Paulhan, Perst, Arp, Ernst, Morise, Fraenkel, Raphael, 1922

Oil on on canvas
50 × 76 in
127 × 193 cm
Location
New York
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AR
Art Resource
New York
Medium
Image rights
Snark / Art Resource / Ernst, Max (1891-1976) © ARS, NY
Max Ernst
German, 1891–1976
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Closely associated with Dada and Surrealism, Max Ernst made paintings, sculptures, and prints depicting fantastic, nightmarish images that often made reference to anxieties originating in childhood. Ernst demonstrated a profound interest in Freudian psychoanalysis, which is apparent in his exploration of Automatism and his invention of the Frottage technique. The artist’s psychoanalytic leanings are evident in his iconic 1923 work Pietà, or Revolution by Night, in which Ernst substitutes the image of Mary cradling the body of Christ with a depiction of the artist himself held by his father. Much of the artist’s work defied societal norms, Christian morality, and the aesthetic standards of Western academic art.

Max Ernst, ‘Au rendez-vous des amis, 1922: Aragon, Breton, Baargeld, De Chirico, Eluard, Desnos, Soupault, Dostoyevsky, Paulhan, Perst, Arp, Ernst, Morise, Fraenkel, Raphael’, 1922, Painting, Oil on on canvas, Art Resource
Save
Save
View
View in room
Share
Share
AR
Art Resource
New York
Medium
Image rights
Snark / Art Resource / Ernst, Max (1891-1976) © ARS, NY
Max Ernst
German, 1891–1976
Follow

Closely associated with Dada and Surrealism, Max Ernst made paintings, sculptures, and prints depicting fantastic, nightmarish images that often made reference to anxieties originating in childhood. Ernst demonstrated a profound interest in Freudian psychoanalysis, which is apparent in his exploration of Automatism and his invention of the Frottage technique. The artist’s psychoanalytic leanings are evident in his iconic 1923 work Pietà, or Revolution by Night, in which Ernst substitutes the image of Mary cradling the body of Christ with a depiction of the artist himself held by his father. Much of the artist’s work defied societal norms, Christian morality, and the aesthetic standards of Western academic art.

Max Ernst

Au rendez-vous des amis, 1922: Aragon, Breton, Baargeld, De Chirico, Eluard, Desnos, Soupault, Dostoyevsky, Paulhan, Perst, Arp, Ernst, Morise, Fraenkel, Raphael, 1922

Oil on on canvas
50 × 76 in
127 × 193 cm
Location
New York
Want to sell a work by this artist? Consign with Artsy.
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