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Max Ernst, ‘Oiseaux en péril’, 1975, Galerie Boisseree
Max Ernst, ‘Oiseaux en péril’, 1975, Galerie Boisseree
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Max Ernst

Oiseaux en péril, 1975

Complete portfolio of 8 etchings and aquatints in colors on Arches
22 2/5 × 17 1/5 × 1 2/5 in
57 × 43.8 × 3.5 cm
This is part of a limited edition set.
Contact For Price
Location
Cologne
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About the work
Bibliography
Galerie Boisseree
Cologne
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Edition 100 copies

Edition 100 copies

Medium
Print
Signature
Sign. num.
Max Ernst
German, 1891–1976
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Closely associated with Dada and Surrealism, Max Ernst made paintings, sculptures, and prints depicting fantastic, nightmarish images that often made reference to anxieties originating in childhood. Ernst demonstrated a profound interest in Freudian psychoanalysis, which is apparent in his exploration of Automatism and his invention of the Frottage technique. The artist’s psychoanalytic leanings are evident in his iconic 1923 work Pietà, or Revolution by Night, in which Ernst substitutes the image of Mary cradling the body of Christ with a depiction of the artist himself held by his father. Much of the artist’s work defied societal norms, Christian morality, and the aesthetic standards of Western academic art.

Max Ernst, ‘Oiseaux en péril’, 1975, Galerie Boisseree
Max Ernst, ‘Oiseaux en péril’, 1975, Galerie Boisseree
Save
Save
Share
Share
Save
Save
Share
Share
About the work
Bibliography
Galerie Boisseree
Cologne
Follow

Edition 100 copies

Edition 100 copies

Medium
Print
Signature
Sign. num.
Max Ernst
German, 1891–1976
Follow

Closely associated with Dada and Surrealism, Max Ernst made paintings, sculptures, and prints depicting fantastic, nightmarish images that often made reference to anxieties originating in childhood. Ernst demonstrated a profound interest in Freudian psychoanalysis, which is apparent in his exploration of Automatism and his invention of the Frottage technique. The artist’s psychoanalytic leanings are evident in his iconic 1923 work Pietà, or Revolution by Night, in which Ernst substitutes the image of Mary cradling the body of Christ with a depiction of the artist himself held by his father. Much of the artist’s work defied societal norms, Christian morality, and the aesthetic standards of Western academic art.

Max Ernst

Oiseaux en péril, 1975

Complete portfolio of 8 etchings and aquatints in colors on Arches
22 2/5 × 17 1/5 × 1 2/5 in
57 × 43.8 × 3.5 cm
This is part of a limited edition set.
Contact For Price
Location
Cologne
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
Other works from Galerie Boisseree
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Surrealism
Etching/Engraving