Max Klinger, ‘Cupid, Death, and the Beyond (Amor, Tod und Jenseits), plate 12 from Intermezzi (Radierung Opus IV)’, 1881, Davis Museum

Image rights: Davis Museum at Wellesley College, Wellesley, MA

About Max Klinger

German, 1857-1920, Leipzig, Germany

Group Shows

2012
Lentos Kunstmuseum, 
Linz, Austria,
Der nackte Mann