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Mel Bochner, ‘3 Photographs + 1 Diagram (Row C)’, Christie's
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Mel Bochner

3 Photographs + 1 Diagram (Row C)

Four elements—black and white photographs mounted on board
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About the work
Exhibition history
Provenance
C
Christie's

Mel Bochner (b. 1940)

3 Photographs__+ 1 Diagram (Row C)

four elements—black and white photographs …

Signature
3 Photographs + 1 Diagram (Row C)
Mel Bochner
American, b. 1940
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Mel Bochner’s approach and materials constantly vary; in fact, the artist formally disavowed allegiance to a single material in his famous essay titled “the Medium and the Tedium” (2010). Bochner—who has produced paintings, installations, and photography—is noted to be one of the most influential pioneers of Conceptual art, and the organizer of the first Conceptual art exhibition in 1966. A recurring theme in Bochner’s work is the relationship between language and physical space or color. This is famously demonstrated in his “Measurement” installations of the late 1960s, visualizing the exact dimensions of rooms and exhibition spaces, and thesaurus-inspired paintings of a single word and its synonyms. Bochner formally studied under Douglas Wilson and Wilfred Readio, though his eventual style would draw strong influence from the works of Clyfford Still and Jean Dubuffet.

Mel Bochner, ‘3 Photographs + 1 Diagram (Row C)’, Christie's
Save
Save
Share
Share
About the work
Exhibition history
Provenance
C
Christie's

Mel Bochner (b. 1940)

3 Photographs__+ 1 Diagram (Row C)

four elements—black and white photographs mounted on board

each: 19 x 19 in. (48.2 x 48.2 cm.)

(4)Executed in 1966-2001. This work is number one from an edition of three.

Signature
3 Photographs + 1 Diagram (Row C)
Mel Bochner
American, b. 1940
Follow

Mel Bochner’s approach and materials constantly vary; in fact, the artist formally disavowed allegiance to a single material in his famous essay titled “the Medium and the Tedium” (2010). Bochner—who has produced paintings, installations, and photography—is noted to be one of the most influential pioneers of Conceptual art, and the organizer of the first Conceptual art exhibition in 1966. A recurring theme in Bochner’s work is the relationship between language and physical space or color. This is famously demonstrated in his “Measurement” installations of the late 1960s, visualizing the exact dimensions of rooms and exhibition spaces, and thesaurus-inspired paintings of a single word and its synonyms. Bochner formally studied under Douglas Wilson and Wilfred Readio, though his eventual style would draw strong influence from the works of Clyfford Still and Jean Dubuffet.

Mel Bochner

3 Photographs + 1 Diagram (Row C)

Four elements—black and white photographs mounted on board
Want to sell a work by this artist? Consign with Artsy.
Series by this artist
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Conceptual Art