Mel Bochner, ‘Amazing’, 2018, Print, Etched and silvered glass, DELAHUNTY
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Mel Bochner

Amazing, 2018

Etched and silvered glass
32 × 24 × 1 1/2 in
81.3 × 61 × 3.8 cm
.
Contact For Price
Location
London
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
About the work
Medium
Signature
Signed and dated on label, verso
Publisher
Two Palms Press
Image rights
Delahunty Fine Art
Mel Bochner
American, b. 1940
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Mel Bochner’s approach and materials constantly vary; in fact, the artist formally disavowed allegiance to a single material in his famous essay titled “the Medium and the Tedium” (2010). Bochner—who has produced paintings, installations, and photography—is noted to be one of the most influential pioneers of Conceptual art, and the organizer of the first Conceptual art exhibition in 1966. A recurring theme in Bochner’s work is the relationship between language and physical space or color. This is famously demonstrated in his “Measurement” installations of the late 1960s, visualizing the exact dimensions of rooms and exhibition spaces, and thesaurus-inspired paintings of a single word and its synonyms. Bochner formally studied under Douglas Wilson and Wilfred Readio, though his eventual style would draw strong influence from the works of Clyfford Still and Jean Dubuffet.

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Mel Bochner, ‘Amazing’, 2018, Print, Etched and silvered glass, DELAHUNTY
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Save
Save
View
View in room
Share
Share
About the work
Medium
Signature
Signed and dated on label, verso
Publisher
Two Palms Press
Image rights
Delahunty Fine Art
Mel Bochner
American, b. 1940
Follow

Mel Bochner’s approach and materials constantly vary; in fact, the artist formally disavowed allegiance to a single material in his famous essay titled “the Medium and the Tedium” (2010). Bochner—who has produced paintings, installations, and photography—is noted to be one of the most influential pioneers of Conceptual art, and the organizer of the first Conceptual art exhibition in 1966. A recurring theme in Bochner’s work is the relationship between language and physical space or color. This is famously demonstrated in his “Measurement” installations of the late 1960s, visualizing the exact dimensions of rooms and exhibition spaces, and thesaurus-inspired paintings of a single word and its synonyms. Bochner formally studied under Douglas Wilson and Wilfred Readio, though his eventual style would draw strong influence from the works of Clyfford Still and Jean Dubuffet.

Mel Bochner

Amazing, 2018

Etched and silvered glass
32 × 24 × 1 1/2 in
81.3 × 61 × 3.8 cm
.
Contact For Price
Location
London
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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