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Mel Bochner, ‘Untitled’, 1984, Anders Wahlstedt Fine Art
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Mel Bochner

Untitled, 1984

Screenprint in colors on wove paper
42 3/4 × 35 in
108.6 × 88.9 cm
Edition 114/144
This is part of a limited edition set.
Contact For Price
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
About the work
Medium
Print
Signature
Signed, numbered and dated in pencil
Series
Number 116/144, (includes 18 artist proofs)
Publisher
Fine Creations
Mel Bochner
American, b. 1940
Follow

Mel Bochner’s approach and materials constantly vary; in fact, the artist formally disavowed allegiance to a single material in his famous essay titled “the Medium and the Tedium” (2010). Bochner—who has produced paintings, installations, and photography—is noted to be one of the most influential pioneers of Conceptual art, and the organizer of the first Conceptual art exhibition in 1966. A recurring theme in Bochner’s work is the relationship between language and physical space or color. This is famously demonstrated in his “Measurement” installations of the late 1960s, visualizing the exact dimensions of rooms and exhibition spaces, and thesaurus-inspired paintings of a single word and its synonyms. Bochner formally studied under Douglas Wilson and Wilfred Readio, though his eventual style would draw strong influence from the works of Clyfford Still and Jean Dubuffet.

Mel Bochner, ‘Untitled’, 1984, Anders Wahlstedt Fine Art
Save
Save
View
View in room
Share
Share
About the work
Medium
Print
Signature
Signed, numbered and dated in pencil
Series
Number 116/144, (includes 18 artist proofs)
Publisher
Fine Creations
Mel Bochner
American, b. 1940
Follow

Mel Bochner’s approach and materials constantly vary; in fact, the artist formally disavowed allegiance to a single material in his famous essay titled “the Medium and the Tedium” (2010). Bochner—who has produced paintings, installations, and photography—is noted to be one of the most influential pioneers of Conceptual art, and the organizer of the first Conceptual art exhibition in 1966. A recurring theme in Bochner’s work is the relationship between language and physical space or color. This is famously demonstrated in his “Measurement” installations of the late 1960s, visualizing the exact dimensions of rooms and exhibition spaces, and thesaurus-inspired paintings of a single word and its synonyms. Bochner formally studied under Douglas Wilson and Wilfred Readio, though his eventual style would draw strong influence from the works of Clyfford Still and Jean Dubuffet.

Mel Bochner

Untitled, 1984

Screenprint in colors on wove paper
42 3/4 × 35 in
108.6 × 88.9 cm
Edition 114/144
This is part of a limited edition set.
Contact For Price
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
Series by this artist
Other works from Anders Wahlstedt Fine Art
Related works
Most Similar
Conceptual Art