Mel Ramos, ‘Chic, from 11 Pop Artists, Volume I’, 1965, Print, Screenprint in colors, on heavy wove paper, the full sheet, Phillips
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Mel Ramos

Chic, from 11 Pop Artists, Volume I, 1965

Screenprint in colors, on heavy wove paper, the full sheet
23 9/10 × 19 4/5 in
60.6 × 50.2 cm
Bidding closed
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About the work
P
Phillips

Property from the Collection of Ambassador John L. Loeb, Jr.

Signed and dated 173/200 in pencil …

Medium
Mel Ramos
American, 1935–2018
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Mel Ramos’s provocative, humorous paintings mix idealized nude women with the imagery of popular culture—Coca Cola bottles, movie posters, and the like. A prolific artist from his emergence in the 1960s onward, Ramos has often based his nudes on the female celebrities of the day, from Marilyn Monroe to Scarlett Johansson. His style references the sensuality and glossy flatness of pin-ups and Playboy spreads and has drawn the ire of feminists and art critics alike, despite Ramos’s assertion that his works are “apolitical”. Though clearly aligned with Pop art in his appropriation of imagery from mass media and consumer products, Ramos calls his practice rooted in Surrealism and its emphasis on “absurd conjunctions”—in his case, a beautiful nude woman emerging from a Snickers wrapper or lounging seductively in a banana split.

Mel Ramos, ‘Chic, from 11 Pop Artists, Volume I’, 1965, Print, Screenprint in colors, on heavy wove paper, the full sheet, Phillips
Save
Save
View
View in room
Share
Share
About the work
P
Phillips

Property from the Collection of Ambassador John L. Loeb, Jr.

Signed and dated 173/200 in pencil (there were also 50 proofs in Roman numerals), published by Original Editions, New York, framed.

Medium
Mel Ramos
American, 1935–2018
Follow

Mel Ramos’s provocative, humorous paintings mix idealized nude women with the imagery of popular culture—Coca Cola bottles, movie posters, and the like. A prolific artist from his emergence in the 1960s onward, Ramos has often based his nudes on the female celebrities of the day, from Marilyn Monroe to Scarlett Johansson. His style references the sensuality and glossy flatness of pin-ups and Playboy spreads and has drawn the ire of feminists and art critics alike, despite Ramos’s assertion that his works are “apolitical”. Though clearly aligned with Pop art in his appropriation of imagery from mass media and consumer products, Ramos calls his practice rooted in Surrealism and its emphasis on “absurd conjunctions”—in his case, a beautiful nude woman emerging from a Snickers wrapper or lounging seductively in a banana split.

Mel Ramos

Chic, from 11 Pop Artists, Volume I, 1965

Screenprint in colors, on heavy wove paper, the full sheet
23 9/10 × 19 4/5 in
60.6 × 50.2 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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