Framed: 40.5in x 30.5in x 0in
Signature: Signed and dated verso: Mel Ramos 73
The Oakland Museum, Oakland, California, "Ramos: A Retrospective Survey," September-November 1977 (label verso); The Rose Art Museum, Brandeis University, Waltham, Massachusetts, "Mel Ramos: A Twenty-Year Survey," April 13-May 16, 1980 (label verso).
D. Kuspit and L.K. Meisel, Mel Ramos Pop Art Fantasies: The Complete Paintings, New York, 2004, p. 127, illustrated in color.
Collection of the artist; Louis K. Meisel Gallery, New York; The Hokin Gallery, Chicago, Illinois; Howard and Judy Tullman, Chicago, Illinois; Scott Richards Contemporary Art, San Francisco, California; Acquired by the present owner from the above.
About Mel Ramos
Mel Ramos’s provocative, humorous paintings mix idealized nude women with the imagery of popular culture—Coca Cola bottles, movie posters, and the like. A prolific artist from his emergence in the 1960s onward, Ramos has often based his nudes on the female celebrities of the day, from Marilyn Monroe to Scarlett Johansson. His style references the sensuality and glossy flatness of pin-ups and Playboy spreads and has drawn the ire of feminists and art critics alike, despite Ramos’s assertion that his works are “apolitical”. Though clearly aligned with Pop art in his appropriation of imagery from mass media and consumer products, Ramos calls his practice rooted in Surrealism and its emphasis on “absurd conjunctions”—in his case, a beautiful nude woman emerging from a Snickers wrapper or lounging seductively in a banana split.
American, b. 1935, Sacramento, California, based in Oakland, California