Méret Oppenheim, ‘Gespensterformen’, 1958, Print, Monotype, gouache, Galerie Krinzinger
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Méret Oppenheim

Gespensterformen, 1958

Monotype, gouache
11 3/5 × 8 3/10 in
29.5 × 21 cm
Contact For Price
Location
Vienna
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Medium
Méret Oppenheim
German-Swiss, 1913–1985
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A central figure in Surrealism, Meret Oppenheim painted dream narratives and impossible juxtapositions of everyday objects to explore female sexuality, identity, and exploitation. She famously posed for Man Ray’s Erotique voilée (1933), instantly becoming an object of romantic idealization to the Surrealists for her seemingly direct and spontaneous access to experiences of the dream world through her youth, charm, and openness. In her best-known works, Oppenheim painted household objects in suggestively erotic arrangements or created haunting assemblages of indeterminate origins, often transforming objects closely associated with feminine domesticity into erotic symbols. Object (1936), a fur-covered cup, saucer, and spoon, became her most iconic work. Through exhibitions and activities amongst the Surrealist circle, Oppenheim was closely associated with Jean Arp, André Breton, and Max Ernst.

Méret Oppenheim, ‘Gespensterformen’, 1958, Print, Monotype, gouache, Galerie Krinzinger
Save
Save
View
View in room
Share
Share
Medium
Méret Oppenheim
German-Swiss, 1913–1985
Follow

A central figure in Surrealism, Meret Oppenheim painted dream narratives and impossible juxtapositions of everyday objects to explore female sexuality, identity, and exploitation. She famously posed for Man Ray’s Erotique voilée (1933), instantly becoming an object of romantic idealization to the Surrealists for her seemingly direct and spontaneous access to experiences of the dream world through her youth, charm, and openness. In her best-known works, Oppenheim painted household objects in suggestively erotic arrangements or created haunting assemblages of indeterminate origins, often transforming objects closely associated with feminine domesticity into erotic symbols. Object (1936), a fur-covered cup, saucer, and spoon, became her most iconic work. Through exhibitions and activities amongst the Surrealist circle, Oppenheim was closely associated with Jean Arp, André Breton, and Max Ernst.

Méret Oppenheim

Gespensterformen, 1958

Monotype, gouache
11 3/5 × 8 3/10 in
29.5 × 21 cm
Contact For Price
Location
Vienna
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
Series by this artist
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Other works from Galerie Krinzinger
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